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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 1<\/p>\n <\/div>\n <\/div>\n Resoconto<\/p>\n <\/div>\n The Kid<\/p>\n <\/div>\n ECCI00004722, CH036<\/p>\n <\/div>\n Riedizioni<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 1<\/p>\n <\/div>\n <\/div>\n Resoconto<\/p>\n <\/div>\n The Kid<\/p>\n <\/div>\n ECCI00004723, CH036<\/p>\n <\/div>\n Riedizioni<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t 1<\/p>\n <\/div>\n <\/div>\n Resoconto<\/p>\n <\/div>\n ECCI00023502, CH220<\/p>\n <\/div>\n Distribuzione e promozione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 10<\/p>\n <\/div>\n <\/div>\n Registro<\/p>\n <\/div>\n Limelight<\/p>\n <\/div>\n ECCI00025777, CH153<\/p>\n <\/div>\n Atti processuali<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 1<\/p>\n <\/div>\n <\/div>\n Resoconto<\/p>\n <\/div>\n The Kid<\/p>\n <\/div>\n ECCI00004721, CH036<\/p>\n <\/div>\n Riedizioni<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 1<\/p>\n <\/div>\n <\/div>\n Resoconto<\/p>\n <\/div>\n The Kid<\/p>\n <\/div>\n ECCI00004726, CH036<\/p>\n <\/div>\n Riedizioni<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t 2<\/p>\n <\/div>\n <\/div>\n Rapporto di produzione<\/p>\n <\/div>\n The Idle Class<\/p>\n <\/div>\n ECCI00004551, CH049<\/p>\n <\/div>\n Riedizioni<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t 2<\/p>\n <\/div>\n <\/div>\n Rapporto di produzione<\/p>\n <\/div>\n The Kid<\/p>\n <\/div>\n ECCI00004526, CH004<\/p>\n <\/div>\n Riedizioni<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 4<\/p>\n <\/div>\n <\/div>\n Registro<\/p>\n <\/div>\n City Lights<\/p>\n <\/div>\n ECCI00025780, CH153<\/p>\n <\/div>\n Atti processuali<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 155<\/p>\n <\/div>\n <\/div>\n Fattura<\/p>\n <\/div>\n The Idle Class<\/p>\n <\/div>\n ECCI00023526, CH222<\/p>\n <\/div>\n Distribuzione e promozione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t 1<\/p>\n <\/div>\n <\/div>\n Fattura<\/p>\n <\/div>\n A King in New York<\/p>\n <\/div>\n ECCI00009872, CH104<\/p>\n <\/div>\n Riedizioni<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 4<\/p>\n <\/div>\n <\/div>\n Registro<\/p>\n <\/div>\n Limelight<\/p>\n <\/div>\n ECCI00025781, CH153<\/p>\n <\/div>\n Atti processuali<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n The Idle Class - Kid orders<\/h2>\n\n
The Idle Class - Kid orders<\/h2>\n\n
In 1954 Les Editions Salabert [...]\/[Rachel M. Ford]<\/h2>\n\n
Breakdown by Picture of UAC's Remittances to Pictet and Cie, Geneva<\/h2>\n\n
Spent on The Idle Class - Kid since 1970<\/h2>\n\n
Spent on The Idle Class - Kid since 1970<\/h2>\n\n
\"The Idle Class\"<\/h2>\n\n
\"The Kid\"<\/h2>\n\n
City Lights [receipts]<\/h2>\n\n
Denlabs Invoices\/The Rank Organisations, Film Processing Division<\/h2>\n\n
Invoice : King in New York : 30th June 1972\/International Post-Production Films Ltd<\/h2>\n\n
Limelight<\/h2>\n\n
Monsieur Verdoux<\/h2>\n\n