{"load_more":true,"html":"\t
\n\t\t
\n\t\t\t<\/a>\n\t\t\t
\t\n\t\t\t\t\t\t\t\t\t\"ch_23713_001\"\n\t\t\t\t\t
165<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tRegency<\/span>\n\t\t\t\t

Daily production report\/Between Pictures<\/h2>\t\t\t\n\t\t\t\t 1936\/02\/06-1938\/12\/31 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t<\/a>\n\t\t\t
\t\n\t\t\t\t\t\t\t\t\t\"ch23576001.jpg\"\n\t\t\t\t\t
15<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tModern Times<\/span>\n\t\t\t\t

Daily production report\/Charles Chaplin Film Corporation<\/h2>\t\t\t\n\t\t\t\t 1936\/02\/02-1936\/02\/22 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t<\/a>\n\t\t\t
\t\n\t\t\t\t\t\t\t\t\t\"chm150001.jpg\"\n\t\t\t\t\t
147<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tModern Times<\/span>\n\t\t\t\t

Continuity for U.A. picture n. 5 : camera dept : book 1B\/[Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t 1935\/03\/18-1935\/08\/30 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t<\/a>\n\t\t\t
\t\n\t\t\t\t\t\t\t\t\t\"chm149001.jpg\"\n\t\t\t\t\t
191<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tModern Times<\/span>\n\t\t\t\t

Continuity for U.A. picture n. 5 : camera department : book 1A\/[Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t 1934\/10\/11-1935\/03\/08 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t<\/a>\n\t\t\t
\t\n\t\t\t\t\t\t\t\t\t\"chm164001.jpg\"\n\t\t\t\t\t
472<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tModern Times<\/span>\n\t\t\t\t

Daily production report\/Charles Chaplin Film Corporation ; Della E. Steele ; Catherine Hunter<\/h2>\t\t\t\n\t\t\t\t 1933\/09\/16-1936\/02\/05 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t<\/a>\n\t\t\t
\t\n\t\t\t\t\t\t\t\t\t\"ch03190001.jpg\"\n\t\t\t\t\t
129<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tModern Times<\/span>\n\t\t\t\t

Daily production report\/Charles Chaplin Film Corporation ; Kathleen Pryor<\/h2>\t\t\t\n\t\t\t\t 1931\/03\/21-1933\/09\/02 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t<\/a>\n\t\t\t
\t\n\t\t\t\t\t\t\t\t\t\"chm165001.jpg\"\n\t\t\t\t\t
505<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tCity Lights<\/span>\n\t\t\t\t

Book n. 3 : \"City Lights\" Opening Shots\/[Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t 1928\/12\/27-1930\/10\/23 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t<\/a>\n\t\t\t
\t\n\t\t\t\t\t\t\t\t\t\"chm175001.jpg\"\n\t\t\t\t\t
673<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tCity Lights<\/span>\n\t\t\t\t

Daily production report\/Charles Chaplin Film Corporation ; Della E. Steele<\/h2>\t\t\t\n\t\t\t\t 1927\/11\/21-1931\/03\/14 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t<\/a>\n\t\t\t
\t\n\t\t\t\t\t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t\t\t\t<\/div>\n\t\t\t

\n\t\t\t\tThe Circus<\/span>\n\t\t\t\t

Daily production report\/Charles Chaplin Film Corporation ; Della E. Steele<\/h2>\t\t\t\n\t\t\t\t 1926\/08\/02-1927\/11\/26 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t<\/a>\n\t\t\t
\t\n\t\t\t\t\t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t\t\t\t<\/div>\n\t\t\t

\n\t\t\t\tA Woman of the Sea<\/span>\n\t\t\t\t

Scene Plot [Quinta parte]<\/h2>\t\t\t\n\t\t\t\t 1926\/05\/20-1926\/06\/01 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t<\/a>\n\t\t\t
\t\n\t\t\t\t\t\t\t\t\t\"CH41300001\"\n\t\t\t\t\t
303<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tA Woman of the Sea<\/span>\n\t\t\t\t

Scene Plot [Quarta parte]<\/h2>\t\t\t\n\t\t\t\t 1926\/05\/07-1926\/05\/19 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t<\/a>\n\t\t\t
\t\n\t\t\t\t\t\t\t\t\t\"chm160001.jpg\"\n\t\t\t\t\t
354<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tThe Circus<\/span>\n\t\t\t\t

The Circus\/[Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t 1926\/01\/13-1970\/01\/01-1927\/11\/14 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t<\/a>\n\t\t\t
\t\n\t\t\t\t\t\t\t\t\t\"ch00168001.jpg\"\n\t\t\t\t\t
88<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tA Woman of the Sea<\/span>\n\t\t\t\t

Daily Production Report\/Chas. B. Hammond<\/h2>\t\t\t\n\t\t\t\t [1926] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t<\/a>\n\t\t\t
\t\n\t\t\t\t\t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t\t\t\t<\/div>\n\t\t\t

\n\t\t\t\tA Woman of the Sea<\/span>\n\t\t\t\t

Scene plot [Prima parte]<\/h2>\t\t\t\n\t\t\t\t [1926] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t<\/a>\n\t\t\t
\t\n\t\t\t\t\t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t\t\t\t<\/div>\n\t\t\t

\n\t\t\t\tA Woman of the Sea<\/span>\n\t\t\t\t

Scene Plot [Seconda parte]<\/h2>\t\t\t\n\t\t\t\t [1926] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t
\n\t\t\t<\/a>\n\t\t\t
\t\n\t\t\t\t\t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t\t\t\t<\/div>\n\t\t\t

\n\t\t\t\tA Woman of the Sea<\/span>\n\t\t\t\t

Scene Plot [Terza parte]<\/h2>\t\t\t\n\t\t\t\t [1926] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t