{"load_more":true,"html":"\t
\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"idle_11.jpg\"\n\t\t\t\t\t
4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Ballroom<\/h2>\n\n
\n
\n [1921] <\/div>\n
\n

4<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Idle Class<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00028454, IDLE0013<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"idle_0012.jpg\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Ballroom : father arguing with little man<\/h2>\n\n
\n
\n [1921] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Idle Class<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00028470, IDLE0025<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"idle_0008.jpg\"\n\t\t\t\t\t
2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Living room : Charlie and husband scuffle<\/h2>\n\n
\n
\n [1921] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Idle Class<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00028467, IDLE0022<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"idle_0010.jpg\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Living room : Charlie starts to open up headgear with can opener<\/h2>\n\n
\n
\n [1921] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Idle Class<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00028468, IDLE0023<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"pd_18.jpg\"\n\t\t\t\t\t
2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[L'operaio e il sovrintendente al cantiere]<\/h2>\n\n
\n
\n [1921-1922] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Pay Day<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00028393, PD0012<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"pd_7.jpg\"\n\t\t\t\t\t
2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[L'operaio e il sovrintendente al cantiere]<\/h2>\n\n
\n
\n [1921-1922] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Pay Day<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00028397, PD0016<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"pilgrim_23.jpg\"\n\t\t\t\t\t
7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[The church service and the sermon]<\/h2>\n\n
\n
\n [1922-1923] <\/div>\n
\n

7<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Pilgrim<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00028410, PILGR<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"pilgrim_48.jpg\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Charlie takes wire from deacon and starts to read it<\/h2>\n\n
\n
\n [1922-1923] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Pilgrim<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00028418, PILGR<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"pilgrim_37.jpg\"\n\t\t\t\t\t
3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Living room : group at table<\/h2>\n\n
\n
\n [1922-1923] <\/div>\n
\n

3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Pilgrim<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00028412, PILGR<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"pilgrim_10.jpg\"\n\t\t\t\t\t
4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Train exterior : Charlie shaking hands with various church members<\/h2>\n\n
\n
\n [1922-1923] <\/div>\n
\n

4<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Pilgrim<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00028403, PILGR<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"gr_0019.jpg\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Big Jim McKay all'interno della cabina di una nave si sottopone alla manicure]<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00025087, GR020<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"gr_902.jpg\"\n\t\t\t\t\t
2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Big Jim McKay bloccato dai poliziotti vicino a una tenda]<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00025023, GR003<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"gr_0164.jpg\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Chaplin a terra aggrappato alla gamba di Big Jim McKay all'interno della capanna]<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00025200, GR025<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"gr_0165.jpg\"\n\t\t\t\t\t
2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Chaplin accanto a Big Jim McKay seduto all'interno della capanna]<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00025201, GR025<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"gr_0145.jpg\"\n\t\t\t\t\t
3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Chaplin con il fucile e Big Jim McKay]<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00025192, GR024<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"gr_0176.jpg\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Chaplin dorme sulla panca mentre Big Jim McKay si avvicina a lui minaccioso con un'ascia]<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00025203, GR025<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"gr_0148.jpg\"\n\t\t\t\t\t
2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Chaplin rade la barba a Big Jim McKay]<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00025193, GR024<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t