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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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[Chaplin e Carl Miller\/Anonimo] ; The Academy of Motion Picture Arts and Sciences<\/h2>\n\n
\n
\n [1923] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

A Woman of Paris<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00006471, AWOP006<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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[L'incontro parigino di Marie St. Clair con Jean e sua madre\/Anonimo]<\/h2>\n\n
\n
\n [1923] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

A Woman of Paris<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00006403, AWOP003<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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9<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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A Woman of Paris\/The Allied Artists Corporation Ltd.<\/h2>\n\n
\n
\n [1923] <\/div>\n
\n

9<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Programma di sala<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

A Woman of Paris<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00004557, CH006<\/p>\n <\/div>\n

\n Serie<\/span>\n

Distribuzione e promozione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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8<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Charlie Chaplin Predicts A Revolution In Movieland\/By T. Howard Kelly<\/h2>\n\n
\n
\n [1923] <\/div>\n
\n

8<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Progetto<\/span>\n

A Woman of Paris<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029694, CH225<\/p>\n <\/div>\n

\n Serie<\/span>\n

Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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23<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

The Tivoli Strand<\/h2>\n\n
\n
\n 1924 <\/div>\n
\n

23<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Programma di sala<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

A Woman of Paris<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00004559, CH007<\/p>\n <\/div>\n

\n Serie<\/span>\n

Distribuzione e promozione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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10<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Biografia del Cine : capitulo XXVII\/por Paco Ignacio Taibo<\/h2>\n\n
\n
\n [1960-1970] <\/div>\n
\n

10<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Progetto<\/span>\n

Easy Street<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00016343, CH112<\/p>\n <\/div>\n

\n Serie<\/span>\n

Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

La presentaci\u00f3n de \"Una mujer de Par\u00eds\" [...] ; En \"Una mujer de Par\u00eds\" [...] ; Esta es una selecci\u00f3n [...]<\/h2>\n\n
\n
\n [1960-1970] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Progetto<\/span>\n

A Woman of Paris<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00016339, CH112<\/p>\n <\/div>\n

\n Serie<\/span>\n

Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

1976 May Look Better 20 Years from Now\/By Andrew Sarris<\/h2>\n\n
\n
\n 1970\/01\/10 <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Progetto<\/span>\n

A Woman of Paris<\/p>\n <\/div>\n