{"load_more":false,"html":"\t
\n\t\t
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3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

The steward wheels in the breakfast<\/h2>\n\n
\n
\n [1966] <\/div>\n
\n

3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00028960, COUNTESS0013<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch15470001.jpg\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Charlie Chaplin directs Sophia<\/h2>\n\n
\n
\n 1966\/04\/01 <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Progetto<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00020697, CH154<\/p>\n <\/div>\n

\n Serie<\/span>\n

Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch15474001.jpg\"\n\t\t\t\t\t
5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Charlie and his Countess\/by Jack Hamilton<\/h2>\n\n
\n
\n 1966\/04\/19 <\/div>\n
\n

5<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Progetto<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00020701, CH154<\/p>\n <\/div>\n

\n Serie<\/span>\n

Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"cc_0271.jpg\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Charles Chaplin e Sophia Loren]\/Keystone Press Agency Limited<\/h2>\n\n
\n
\n [1967] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00030679, CC018<\/p>\n <\/div>\n

\n Serie<\/span>\n

Vita privata<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch21350001.jpg\"\n\t\t\t\t\t
17<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Charlot Toujours Present\/par Paul Giannoli<\/h2>\n\n
\n
\n 1977 <\/div>\n
\n

17<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Progetto<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00030192, CH213<\/p>\n <\/div>\n

\n Serie<\/span>\n

Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch21392001.jpg\"\n\t\t\t\t\t
4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Addio a Charlot\/Remo Lugli<\/h2>\n\n
\n
\n 1977\/12\/27 <\/div>\n
\n

4<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Progetto<\/span>\n

Charlie Chaplin's Burlesque on Carmen<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00030284, CH213<\/p>\n <\/div>\n

\n Serie<\/span>\n

Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch15469001.jpg\"\n\t\t\t\t\t
39<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Adieu Charlot : sa vie ses amours ses films\/J. V. Cotton<\/h2>\n\n
\n
\n 1977\/12\/31 <\/div>\n
\n

39<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Progetto<\/span>\n

City Lights<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00020696, CH154<\/p>\n <\/div>\n

\n Serie<\/span>\n

Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch21352001.jpg\"\n\t\t\t\t\t
10<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

What Charlie Left Behind ; Portrait of the Artist as an Old Man\/by Francis Wyndham<\/h2>\n\n
\n
\n 1978\/01\/22 <\/div>\n
\n

10<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Progetto<\/span>\n

The Circus<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00030196, CH213<\/p>\n <\/div>\n

\n Serie<\/span>\n

Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"Countess_0267\"\n\t\t\t\t\t
3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Charles Chaplin e Sophia Loren sul set]<\/h2>\n\n
\n
\n [1966] <\/div>\n
\n

3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCIN0000749, COUNTESS0168<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"Countess_0282\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Charles Chaplin e Sophia Loren sul set]<\/h2>\n\n
\n
\n [1966] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCIN0000755, COUNTESS0174<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"Countess_0252\"\n\t\t\t\t\t
2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Charles Chaplin e Sophia Loren sulla spiaggia]<\/h2>\n\n
\n
\n [1966] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCIN0000745, COUNTESS0165<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"countess_0142\"\n\t\t\t\t\t
3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Charles Chaplin esamina un reggiseno fuori misura]<\/h2>\n\n