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\t\n\t\t\t\t\t\t\t\t\t\"ch20497001.jpg\"\n\t\t\t\t\t
2<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tCity Lights<\/span>\n\t\t\t\t

Years Do Not Dim City Lights\/by Leonard Mosley<\/h2>\t\t\t\n\t\t\t\t [1951] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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1<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tCity Lights<\/span>\n\t\t\t\t

Beginning Chaplin\u0092s greatest comedy<\/h2>\t\t\t\n\t\t\t\t 1950\/11\/19 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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2<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tCity Lights<\/span>\n\t\t\t\t

\"City Lights\"\/by Al Capp<\/h2>\t\t\t\n\t\t\t\t 1950\/06 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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2<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tA Woman of Paris<\/span>\n\t\t\t\t

City Lights, 1931<\/h2>\t\t\t\n\t\t\t\t [1950-1973] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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1<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tCity Lights<\/span>\n\t\t\t\t

[Il vagabondo e la ragazza cieca]<\/h2>\t\t\t\n\t\t\t\t [1950-1970] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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1<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tA Dog's Life<\/span>\n\t\t\t\t

That Little Tramp is Back, and This Time the Welcome Mat is Out<\/h2>\t\t\t\n\t\t\t\t [1950-1970] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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1<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tModern Times<\/span>\n\t\t\t\t

The Last of the Silent Films<\/h2>\t\t\t\n\t\t\t\t [1940-1950] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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23<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tModern Times<\/span>\n\t\t\t\t

Charlie Chaplin in Modern Times : Advertising<\/h2>\t\t\t\n\t\t\t\t [1936] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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1<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tCity Lights<\/span>\n\t\t\t\t

Chaplin Film Nearing End of Run<\/h2>\t\t\t\n\t\t\t\t [1931\/06\/24] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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1<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tCity Lights<\/span>\n\t\t\t\t

The Chaplin Film<\/h2>\t\t\t\n\t\t\t\t 1931\/02\/23 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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\t\n\t\t\t\t\t\t\t\t\t\"ch03581001.jpg\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tCity Lights<\/span>\n\t\t\t\t

Adolphe Menjou Blames Public for Lack of Real Screen Actors\/By Dan Thomas<\/h2>\t\t\t\n\t\t\t\t 1931\/02\/07 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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1<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tCity Lights<\/span>\n\t\t\t\t

Chaplin Scores in Return to Broadway in New Film\/By George Gerhard<\/h2>\t\t\t\n\t\t\t\t 1931\/02\/07 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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3<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tCity Lights<\/span>\n\t\t\t\t

Know Him? Sure You Do! ; Reflecting the Screen\/By Bland Johaneson<\/h2>\t\t\t\n\t\t\t\t 1931\/02\/07 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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1<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tCity Lights<\/span>\n\t\t\t\t

\"City Lights\" Chaplin's Most Discussed Film<\/h2>\t\t\t\n\t\t\t\t [1931] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t