![\"freak_0002.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/freak_0002.jpg\")
\n\t\t\t\t\t[Victoria Chaplin in giardino indossa delle ali]<\/h2>\n\n \n \n [1970] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Fotografia<\/p>\n <\/div>\n
\n Film\/Progetto<\/span>\n The Freak<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00028542, FREAK0002<\/p>\n <\/div>\n
\n Serie<\/span>\n Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch21230001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch21230001.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tEst-ce le joli sourire de Vittoria [...]<\/h2>\n\n \n \n [1970] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00021669, CH212<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch21350001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch21350001.jpg\")
\n\t\t\t\t\t17<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlot Toujours Present\/par Paul Giannoli<\/h2>\n\n \n \n 1977 <\/div>\n \n 17<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030192, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch21360001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch21360001.jpg\")
\n\t\t\t\t\t3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tChaplin est mort vive Charlot!<\/h2>\n\n \n \n 1977\/12\/26 <\/div>\n \n 3<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Immigrant<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030207, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch15515001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch15515001.jpg\")
\n\t\t\t\t\t3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tChaplin est mort, vive Charlot!<\/h2>\n\n \n \n 1977\/12\/26 <\/div>\n \n 3<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n City Lights<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00019235, CH155<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch21353001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch21353001.jpg\")
\n\t\t\t\t\t4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tAdieu a Charlot\/Robert Chazal<\/h2>\n\n \n \n 1977\/12\/27 <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00030198, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch21356001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch21356001.jpg\")
\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tGoodbye Charlie\/Von Klaus J. Uthicke<\/h2>\n\n \n \n 1977\/12\/27 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030203, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch21376001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch21376001.jpg\")
\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCheerio Charlie : Little tramp gets a silent farewell\/By James Lewthwaite<\/h2>\n\n \n \n 1977\/12\/28 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00030227, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch15469001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch15469001.jpg\")
\n\t\t\t\t\t39<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tAdieu Charlot : sa vie ses amours ses films\/J. V. Cotton<\/h2>\n\n \n \n 1977\/12\/31 <\/div>\n \n 39<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n City Lights<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00020696, CH154<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch21362001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch21362001.jpg\")
\n\t\t\t\t\t23<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlot : notre album de photo souvenir\/Gaston Bonheur<\/h2>\n\n \n \n 1978\/01 <\/div>\n \n 23<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030209, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch21352001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch21352001.jpg\")
\n\t\t\t\t\t10<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tWhat Charlie Left Behind ; Portrait of the Artist as an Old Man\/by Francis Wyndham<\/h2>\n\n \n \n 1978\/01\/22 <\/div>\n \n 10<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Circus<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030196, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch21305001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch21305001.jpg\")
\n\t\t\t\t\t12<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tLa Saga Chaplin<\/h2>\n\n \n \n 1985 <\/div>\n \n 12<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00023847, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"Ch40081001\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch40081001.jpg\")
\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tC'est le dernier n\u00e9 de Chaplin, 74 ans<\/h2>\n\n \n \n [1962] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Rassegna stampa<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000161, CH400<\/p>\n <\/div>\n
\n Serie<\/span>\n Collezione Sydney Chaplin | Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"Countess_0246\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/countess-0246.jpg\")
\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles e Victoria Chaplin, Sophia Loren, Marlon Brando, Tippi Hedren e Melanie Griffith sul set della sala da ballo]<\/h2>\n\n \n \n [1966] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Fotografia<\/p>\n <\/div>\n
\n Film\/Progetto<\/span>\n A Countess from Hong Kong<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000744, COUNTESS0164<\/p>\n <\/div>\n
\n Serie<\/span>\n Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"countess_0068\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/countess-0068.jpg\")
\n\t\t\t\t\t32<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
2<\/p>\n <\/div>\n <\/div>\n
Fotografia<\/p>\n <\/div>\n
The Freak<\/p>\n <\/div>\n
ECCI00028542, FREAK0002<\/p>\n <\/div>\n
Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tEst-ce le joli sourire de Vittoria [...]<\/h2>\n\n \n \n [1970] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00021669, CH212<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t17<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlot Toujours Present\/par Paul Giannoli<\/h2>\n\n \n \n 1977 <\/div>\n \n 17<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030192, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tChaplin est mort vive Charlot!<\/h2>\n\n \n \n 1977\/12\/26 <\/div>\n \n 3<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Immigrant<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030207, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tChaplin est mort, vive Charlot!<\/h2>\n\n \n \n 1977\/12\/26 <\/div>\n \n 3<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n City Lights<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00019235, CH155<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tAdieu a Charlot\/Robert Chazal<\/h2>\n\n \n \n 1977\/12\/27 <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00030198, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tGoodbye Charlie\/Von Klaus J. Uthicke<\/h2>\n\n \n \n 1977\/12\/27 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030203, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCheerio Charlie : Little tramp gets a silent farewell\/By James Lewthwaite<\/h2>\n\n \n \n 1977\/12\/28 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00030227, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t39<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tAdieu Charlot : sa vie ses amours ses films\/J. V. Cotton<\/h2>\n\n \n \n 1977\/12\/31 <\/div>\n \n 39<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n City Lights<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00020696, CH154<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t23<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlot : notre album de photo souvenir\/Gaston Bonheur<\/h2>\n\n \n \n 1978\/01 <\/div>\n \n 23<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030209, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t10<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tWhat Charlie Left Behind ; Portrait of the Artist as an Old Man\/by Francis Wyndham<\/h2>\n\n \n \n 1978\/01\/22 <\/div>\n \n 10<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Circus<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030196, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t12<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tLa Saga Chaplin<\/h2>\n\n \n \n 1985 <\/div>\n \n 12<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00023847, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tC'est le dernier n\u00e9 de Chaplin, 74 ans<\/h2>\n\n \n \n [1962] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Rassegna stampa<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000161, CH400<\/p>\n <\/div>\n
\n Serie<\/span>\n Collezione Sydney Chaplin | Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles e Victoria Chaplin, Sophia Loren, Marlon Brando, Tippi Hedren e Melanie Griffith sul set della sala da ballo]<\/h2>\n\n \n \n [1966] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Fotografia<\/p>\n <\/div>\n
\n Film\/Progetto<\/span>\n A Countess from Hong Kong<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000744, COUNTESS0164<\/p>\n <\/div>\n
\n Serie<\/span>\n Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t32<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
1<\/p>\n <\/div>\n <\/div>\n
ECCI00021669, CH212<\/p>\n <\/div>\n
Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tCharlot Toujours Present\/par Paul Giannoli<\/h2>\n\n \n \n 1977 <\/div>\n \n 17<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030192, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tChaplin est mort vive Charlot!<\/h2>\n\n \n \n 1977\/12\/26 <\/div>\n \n 3<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Immigrant<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030207, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tChaplin est mort, vive Charlot!<\/h2>\n\n \n \n 1977\/12\/26 <\/div>\n \n 3<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n City Lights<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00019235, CH155<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tAdieu a Charlot\/Robert Chazal<\/h2>\n\n \n \n 1977\/12\/27 <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00030198, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tGoodbye Charlie\/Von Klaus J. Uthicke<\/h2>\n\n \n \n 1977\/12\/27 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030203, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCheerio Charlie : Little tramp gets a silent farewell\/By James Lewthwaite<\/h2>\n\n \n \n 1977\/12\/28 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00030227, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t39<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tAdieu Charlot : sa vie ses amours ses films\/J. V. Cotton<\/h2>\n\n \n \n 1977\/12\/31 <\/div>\n \n 39<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n City Lights<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00020696, CH154<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t23<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlot : notre album de photo souvenir\/Gaston Bonheur<\/h2>\n\n \n \n 1978\/01 <\/div>\n \n 23<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030209, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t10<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tWhat Charlie Left Behind ; Portrait of the Artist as an Old Man\/by Francis Wyndham<\/h2>\n\n \n \n 1978\/01\/22 <\/div>\n \n 10<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Circus<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030196, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t12<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tLa Saga Chaplin<\/h2>\n\n \n \n 1985 <\/div>\n \n 12<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00023847, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tC'est le dernier n\u00e9 de Chaplin, 74 ans<\/h2>\n\n \n \n [1962] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Rassegna stampa<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000161, CH400<\/p>\n <\/div>\n
\n Serie<\/span>\n Collezione Sydney Chaplin | Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles e Victoria Chaplin, Sophia Loren, Marlon Brando, Tippi Hedren e Melanie Griffith sul set della sala da ballo]<\/h2>\n\n \n \n [1966] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Fotografia<\/p>\n <\/div>\n
\n Film\/Progetto<\/span>\n A Countess from Hong Kong<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000744, COUNTESS0164<\/p>\n <\/div>\n
\n Serie<\/span>\n Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t32<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
17<\/p>\n <\/div>\n <\/div>\n
The Gold Rush<\/p>\n <\/div>\n
ECCI00030192, CH213<\/p>\n <\/div>\n
Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tChaplin est mort vive Charlot!<\/h2>\n\n \n \n 1977\/12\/26 <\/div>\n \n 3<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Immigrant<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030207, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tChaplin est mort, vive Charlot!<\/h2>\n\n \n \n 1977\/12\/26 <\/div>\n \n 3<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n City Lights<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00019235, CH155<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tAdieu a Charlot\/Robert Chazal<\/h2>\n\n \n \n 1977\/12\/27 <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00030198, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tGoodbye Charlie\/Von Klaus J. Uthicke<\/h2>\n\n \n \n 1977\/12\/27 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030203, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCheerio Charlie : Little tramp gets a silent farewell\/By James Lewthwaite<\/h2>\n\n \n \n 1977\/12\/28 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00030227, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t39<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tAdieu Charlot : sa vie ses amours ses films\/J. V. Cotton<\/h2>\n\n \n \n 1977\/12\/31 <\/div>\n \n 39<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n City Lights<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00020696, CH154<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t23<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlot : notre album de photo souvenir\/Gaston Bonheur<\/h2>\n\n \n \n 1978\/01 <\/div>\n \n 23<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030209, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t10<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tWhat Charlie Left Behind ; Portrait of the Artist as an Old Man\/by Francis Wyndham<\/h2>\n\n \n \n 1978\/01\/22 <\/div>\n \n 10<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Circus<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030196, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t12<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tLa Saga Chaplin<\/h2>\n\n \n \n 1985 <\/div>\n \n 12<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00023847, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tC'est le dernier n\u00e9 de Chaplin, 74 ans<\/h2>\n\n \n \n [1962] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Rassegna stampa<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000161, CH400<\/p>\n <\/div>\n
\n Serie<\/span>\n Collezione Sydney Chaplin | Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles e Victoria Chaplin, Sophia Loren, Marlon Brando, Tippi Hedren e Melanie Griffith sul set della sala da ballo]<\/h2>\n\n \n \n [1966] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Fotografia<\/p>\n <\/div>\n
\n Film\/Progetto<\/span>\n A Countess from Hong Kong<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000744, COUNTESS0164<\/p>\n <\/div>\n
\n Serie<\/span>\n Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t32<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
3<\/p>\n <\/div>\n <\/div>\n
The Immigrant<\/p>\n <\/div>\n
ECCI00030207, CH213<\/p>\n <\/div>\n
Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tChaplin est mort, vive Charlot!<\/h2>\n\n \n \n 1977\/12\/26 <\/div>\n \n 3<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n City Lights<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00019235, CH155<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tAdieu a Charlot\/Robert Chazal<\/h2>\n\n \n \n 1977\/12\/27 <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00030198, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tGoodbye Charlie\/Von Klaus J. Uthicke<\/h2>\n\n \n \n 1977\/12\/27 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030203, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCheerio Charlie : Little tramp gets a silent farewell\/By James Lewthwaite<\/h2>\n\n \n \n 1977\/12\/28 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00030227, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t39<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tAdieu Charlot : sa vie ses amours ses films\/J. V. Cotton<\/h2>\n\n \n \n 1977\/12\/31 <\/div>\n \n 39<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n City Lights<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00020696, CH154<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t23<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlot : notre album de photo souvenir\/Gaston Bonheur<\/h2>\n\n \n \n 1978\/01 <\/div>\n \n 23<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030209, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t10<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tWhat Charlie Left Behind ; Portrait of the Artist as an Old Man\/by Francis Wyndham<\/h2>\n\n \n \n 1978\/01\/22 <\/div>\n \n 10<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Circus<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030196, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t12<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tLa Saga Chaplin<\/h2>\n\n \n \n 1985 <\/div>\n \n 12<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00023847, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tC'est le dernier n\u00e9 de Chaplin, 74 ans<\/h2>\n\n \n \n [1962] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Rassegna stampa<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000161, CH400<\/p>\n <\/div>\n
\n Serie<\/span>\n Collezione Sydney Chaplin | Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles e Victoria Chaplin, Sophia Loren, Marlon Brando, Tippi Hedren e Melanie Griffith sul set della sala da ballo]<\/h2>\n\n \n \n [1966] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Fotografia<\/p>\n <\/div>\n
\n Film\/Progetto<\/span>\n A Countess from Hong Kong<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000744, COUNTESS0164<\/p>\n <\/div>\n
\n Serie<\/span>\n Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t32<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
3<\/p>\n <\/div>\n <\/div>\n
City Lights<\/p>\n <\/div>\n
ECCI00019235, CH155<\/p>\n <\/div>\n
Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tAdieu a Charlot\/Robert Chazal<\/h2>\n\n \n \n 1977\/12\/27 <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00030198, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tGoodbye Charlie\/Von Klaus J. Uthicke<\/h2>\n\n \n \n 1977\/12\/27 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030203, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCheerio Charlie : Little tramp gets a silent farewell\/By James Lewthwaite<\/h2>\n\n \n \n 1977\/12\/28 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00030227, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t39<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tAdieu Charlot : sa vie ses amours ses films\/J. V. Cotton<\/h2>\n\n \n \n 1977\/12\/31 <\/div>\n \n 39<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n City Lights<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00020696, CH154<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t23<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlot : notre album de photo souvenir\/Gaston Bonheur<\/h2>\n\n \n \n 1978\/01 <\/div>\n \n 23<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030209, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t10<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tWhat Charlie Left Behind ; Portrait of the Artist as an Old Man\/by Francis Wyndham<\/h2>\n\n \n \n 1978\/01\/22 <\/div>\n \n 10<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Circus<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030196, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t12<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tLa Saga Chaplin<\/h2>\n\n \n \n 1985 <\/div>\n \n 12<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00023847, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tC'est le dernier n\u00e9 de Chaplin, 74 ans<\/h2>\n\n \n \n [1962] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Rassegna stampa<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000161, CH400<\/p>\n <\/div>\n
\n Serie<\/span>\n Collezione Sydney Chaplin | Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles e Victoria Chaplin, Sophia Loren, Marlon Brando, Tippi Hedren e Melanie Griffith sul set della sala da ballo]<\/h2>\n\n \n \n [1966] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Fotografia<\/p>\n <\/div>\n
\n Film\/Progetto<\/span>\n A Countess from Hong Kong<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000744, COUNTESS0164<\/p>\n <\/div>\n
\n Serie<\/span>\n Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t32<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
4<\/p>\n <\/div>\n <\/div>\n
ECCI00030198, CH213<\/p>\n <\/div>\n
Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tGoodbye Charlie\/Von Klaus J. Uthicke<\/h2>\n\n \n \n 1977\/12\/27 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030203, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCheerio Charlie : Little tramp gets a silent farewell\/By James Lewthwaite<\/h2>\n\n \n \n 1977\/12\/28 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00030227, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t39<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tAdieu Charlot : sa vie ses amours ses films\/J. V. Cotton<\/h2>\n\n \n \n 1977\/12\/31 <\/div>\n \n 39<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n City Lights<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00020696, CH154<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t23<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlot : notre album de photo souvenir\/Gaston Bonheur<\/h2>\n\n \n \n 1978\/01 <\/div>\n \n 23<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030209, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t10<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tWhat Charlie Left Behind ; Portrait of the Artist as an Old Man\/by Francis Wyndham<\/h2>\n\n \n \n 1978\/01\/22 <\/div>\n \n 10<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Circus<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030196, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t12<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tLa Saga Chaplin<\/h2>\n\n \n \n 1985 <\/div>\n \n 12<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00023847, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tC'est le dernier n\u00e9 de Chaplin, 74 ans<\/h2>\n\n \n \n [1962] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Rassegna stampa<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000161, CH400<\/p>\n <\/div>\n
\n Serie<\/span>\n Collezione Sydney Chaplin | Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles e Victoria Chaplin, Sophia Loren, Marlon Brando, Tippi Hedren e Melanie Griffith sul set della sala da ballo]<\/h2>\n\n \n \n [1966] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Fotografia<\/p>\n <\/div>\n
\n Film\/Progetto<\/span>\n A Countess from Hong Kong<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000744, COUNTESS0164<\/p>\n <\/div>\n
\n Serie<\/span>\n Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t32<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
2<\/p>\n <\/div>\n <\/div>\n
The Gold Rush<\/p>\n <\/div>\n
ECCI00030203, CH213<\/p>\n <\/div>\n
Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tCheerio Charlie : Little tramp gets a silent farewell\/By James Lewthwaite<\/h2>\n\n \n \n 1977\/12\/28 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00030227, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t39<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tAdieu Charlot : sa vie ses amours ses films\/J. V. Cotton<\/h2>\n\n \n \n 1977\/12\/31 <\/div>\n \n 39<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n City Lights<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00020696, CH154<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t23<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlot : notre album de photo souvenir\/Gaston Bonheur<\/h2>\n\n \n \n 1978\/01 <\/div>\n \n 23<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030209, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t10<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tWhat Charlie Left Behind ; Portrait of the Artist as an Old Man\/by Francis Wyndham<\/h2>\n\n \n \n 1978\/01\/22 <\/div>\n \n 10<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Circus<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030196, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t12<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tLa Saga Chaplin<\/h2>\n\n \n \n 1985 <\/div>\n \n 12<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00023847, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tC'est le dernier n\u00e9 de Chaplin, 74 ans<\/h2>\n\n \n \n [1962] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Rassegna stampa<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000161, CH400<\/p>\n <\/div>\n
\n Serie<\/span>\n Collezione Sydney Chaplin | Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles e Victoria Chaplin, Sophia Loren, Marlon Brando, Tippi Hedren e Melanie Griffith sul set della sala da ballo]<\/h2>\n\n \n \n [1966] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Fotografia<\/p>\n <\/div>\n
\n Film\/Progetto<\/span>\n A Countess from Hong Kong<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000744, COUNTESS0164<\/p>\n <\/div>\n
\n Serie<\/span>\n Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t32<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
2<\/p>\n <\/div>\n <\/div>\n
ECCI00030227, CH213<\/p>\n <\/div>\n
Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tAdieu Charlot : sa vie ses amours ses films\/J. V. Cotton<\/h2>\n\n \n \n 1977\/12\/31 <\/div>\n \n 39<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n City Lights<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00020696, CH154<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t23<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlot : notre album de photo souvenir\/Gaston Bonheur<\/h2>\n\n \n \n 1978\/01 <\/div>\n \n 23<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030209, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t10<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tWhat Charlie Left Behind ; Portrait of the Artist as an Old Man\/by Francis Wyndham<\/h2>\n\n \n \n 1978\/01\/22 <\/div>\n \n 10<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Circus<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030196, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t12<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tLa Saga Chaplin<\/h2>\n\n \n \n 1985 <\/div>\n \n 12<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00023847, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tC'est le dernier n\u00e9 de Chaplin, 74 ans<\/h2>\n\n \n \n [1962] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Rassegna stampa<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000161, CH400<\/p>\n <\/div>\n
\n Serie<\/span>\n Collezione Sydney Chaplin | Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles e Victoria Chaplin, Sophia Loren, Marlon Brando, Tippi Hedren e Melanie Griffith sul set della sala da ballo]<\/h2>\n\n \n \n [1966] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Fotografia<\/p>\n <\/div>\n
\n Film\/Progetto<\/span>\n A Countess from Hong Kong<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000744, COUNTESS0164<\/p>\n <\/div>\n
\n Serie<\/span>\n Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t32<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
39<\/p>\n <\/div>\n <\/div>\n
City Lights<\/p>\n <\/div>\n
ECCI00020696, CH154<\/p>\n <\/div>\n
Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tCharlot : notre album de photo souvenir\/Gaston Bonheur<\/h2>\n\n \n \n 1978\/01 <\/div>\n \n 23<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030209, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t10<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tWhat Charlie Left Behind ; Portrait of the Artist as an Old Man\/by Francis Wyndham<\/h2>\n\n \n \n 1978\/01\/22 <\/div>\n \n 10<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Circus<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030196, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t12<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tLa Saga Chaplin<\/h2>\n\n \n \n 1985 <\/div>\n \n 12<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00023847, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tC'est le dernier n\u00e9 de Chaplin, 74 ans<\/h2>\n\n \n \n [1962] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Rassegna stampa<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000161, CH400<\/p>\n <\/div>\n
\n Serie<\/span>\n Collezione Sydney Chaplin | Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles e Victoria Chaplin, Sophia Loren, Marlon Brando, Tippi Hedren e Melanie Griffith sul set della sala da ballo]<\/h2>\n\n \n \n [1966] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Fotografia<\/p>\n <\/div>\n
\n Film\/Progetto<\/span>\n A Countess from Hong Kong<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000744, COUNTESS0164<\/p>\n <\/div>\n
\n Serie<\/span>\n Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t32<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
23<\/p>\n <\/div>\n <\/div>\n
Modern Times<\/p>\n <\/div>\n
ECCI00030209, CH213<\/p>\n <\/div>\n
Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tWhat Charlie Left Behind ; Portrait of the Artist as an Old Man\/by Francis Wyndham<\/h2>\n\n \n \n 1978\/01\/22 <\/div>\n \n 10<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Progetto<\/span>\n The Circus<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCI00030196, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t12<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tLa Saga Chaplin<\/h2>\n\n \n \n 1985 <\/div>\n \n 12<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00023847, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tC'est le dernier n\u00e9 de Chaplin, 74 ans<\/h2>\n\n \n \n [1962] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Rassegna stampa<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000161, CH400<\/p>\n <\/div>\n
\n Serie<\/span>\n Collezione Sydney Chaplin | Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles e Victoria Chaplin, Sophia Loren, Marlon Brando, Tippi Hedren e Melanie Griffith sul set della sala da ballo]<\/h2>\n\n \n \n [1966] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Fotografia<\/p>\n <\/div>\n
\n Film\/Progetto<\/span>\n A Countess from Hong Kong<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000744, COUNTESS0164<\/p>\n <\/div>\n
\n Serie<\/span>\n Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t32<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
10<\/p>\n <\/div>\n <\/div>\n
The Circus<\/p>\n <\/div>\n
ECCI00030196, CH213<\/p>\n <\/div>\n
Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tLa Saga Chaplin<\/h2>\n\n \n \n 1985 <\/div>\n \n 12<\/p>\n <\/div>\n <\/div>\n
\n \n \n Codice record<\/span>\n ECCI00023847, CH213<\/p>\n <\/div>\n
\n Serie<\/span>\n Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tC'est le dernier n\u00e9 de Chaplin, 74 ans<\/h2>\n\n \n \n [1962] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Rassegna stampa<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000161, CH400<\/p>\n <\/div>\n
\n Serie<\/span>\n Collezione Sydney Chaplin | Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles e Victoria Chaplin, Sophia Loren, Marlon Brando, Tippi Hedren e Melanie Griffith sul set della sala da ballo]<\/h2>\n\n \n \n [1966] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Fotografia<\/p>\n <\/div>\n
\n Film\/Progetto<\/span>\n A Countess from Hong Kong<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000744, COUNTESS0164<\/p>\n <\/div>\n
\n Serie<\/span>\n Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t32<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
12<\/p>\n <\/div>\n <\/div>\n
ECCI00023847, CH213<\/p>\n <\/div>\n
Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tC'est le dernier n\u00e9 de Chaplin, 74 ans<\/h2>\n\n \n \n [1962] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Rassegna stampa<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000161, CH400<\/p>\n <\/div>\n
\n Serie<\/span>\n Collezione Sydney Chaplin | Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles e Victoria Chaplin, Sophia Loren, Marlon Brando, Tippi Hedren e Melanie Griffith sul set della sala da ballo]<\/h2>\n\n \n \n [1966] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Fotografia<\/p>\n <\/div>\n
\n Film\/Progetto<\/span>\n A Countess from Hong Kong<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000744, COUNTESS0164<\/p>\n <\/div>\n
\n Serie<\/span>\n Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t32<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
5<\/p>\n <\/div>\n <\/div>\n
Rassegna stampa<\/p>\n <\/div>\n
ECCIN0000161, CH400<\/p>\n <\/div>\n
Collezione Sydney Chaplin | Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Charles e Victoria Chaplin, Sophia Loren, Marlon Brando, Tippi Hedren e Melanie Griffith sul set della sala da ballo]<\/h2>\n\n \n \n [1966] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Tipologia<\/span>\n Fotografia<\/p>\n <\/div>\n
\n Film\/Progetto<\/span>\n A Countess from Hong Kong<\/p>\n <\/div>\n
\n Codice record<\/span>\n ECCIN0000744, COUNTESS0164<\/p>\n <\/div>\n
\n Serie<\/span>\n Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t32<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
7<\/p>\n <\/div>\n <\/div>\n
Fotografia<\/p>\n <\/div>\n
A Countess from Hong Kong<\/p>\n <\/div>\n
ECCIN0000744, COUNTESS0164<\/p>\n <\/div>\n
Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t