{"load_more":false,"html":"\t
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\n \t\t\t\t\t\"idle_46.jpg\"\n\t\t\t\t\t
2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Ballroom : Charlie followed by guest in policeman uniform<\/h2>\n\n
\n
\n [1921] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Idle Class<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00028461, IDLE0017<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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\n \t\t\t\t\t\"idle_0002.jpg\"\n\t\t\t\t\t
2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Golf course : Charlie and fat tramp asleep<\/h2>\n\n
\n
\n [1921] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Idle Class<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00028464, IDLE0019<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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\n \t\t\t\t\t\"kid_811.jpg\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Jackie Coogan, Charles Chaplin e Henry Bergman sul set]<\/h2>\n\n
\n
\n [1919-1920] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Kid<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00028517, KID0027<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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\n \t\t\t\t\t\"kid_0032.jpg\"\n\t\t\t\t\t
2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Doss house interior : Proprietor and Charlie<\/h2>\n\n
\n
\n [1919-1920] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Kid<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00028528, KID0036<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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\n \t\t\t\t\t\"sa_pub_21.jpg\"\n\t\t\t\t\t
2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Charles e Sydney Chaplin, Henry Bergman, Alfred Reeves ed Edna Purviance in pausa sul set]<\/h2>\n\n
\n
\n [1918] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Bond<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00031050, SA0019<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"sa_12ter.jpg\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Henry Bergman con il costume di scena]<\/h2>\n\n
\n
\n [1918] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Shoulder Arms<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00031062, SA0028<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"bond_22.jpg\"\n\t\t\t\t\t
2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[The Liberty Bond : Charles Chaplin, Henry Bergman, Albert Austin e il soldato]<\/h2>\n\n
\n
\n [1918] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Bond<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00031078, BOND0007<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"mutual_0124.jpg\"\n\t\t\t\t\t
2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[I due emigranti al ristorante]\/West Side Photographic Company<\/h2>\n\n
\n
\n [1917] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Immigrant<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00028003, MUTUAL0076<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"mutual_0011.jpg\"\n\t\t\t\t\t
5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[L'alcolizzato utilizza i servizi delle terme]<\/h2>\n\n
\n
\n [1917] <\/div>\n
\n

5<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Cure<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00027904, MUTUAL0004<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"mutual_0100.jpg\"\n\t\t\t\t\t
2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[L'evaso accolto nella casa della ragazza]<\/h2>\n\n
\n
\n [1917] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Adventurer<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00027974, MUTUAL0053<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"mutual_0114.jpg\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Gag della scala]<\/h2>\n\n
\n
\n [1916] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fotografia<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Pawnshop<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00027984, MUTUAL0061<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t