{"load_more":true,"html":"\t
Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 10<\/p>\n <\/div>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n Regency<\/p>\n <\/div>\n ECCI00017530, CH073<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 1<\/p>\n <\/div>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n Regency<\/p>\n <\/div>\n ECCI00017536, CH073<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 14<\/p>\n <\/div>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n Regency<\/p>\n <\/div>\n ECCI00004890, CH039<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 4<\/p>\n <\/div>\n <\/div>\n Trattamento<\/p>\n <\/div>\n Regency<\/p>\n <\/div>\n ECCI00004892, CH039<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 24<\/p>\n <\/div>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n Regency<\/p>\n <\/div>\n ECCI00017532, CH073<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 20<\/p>\n <\/div>\n <\/div>\n Adattamento<\/p>\n <\/div>\n Regency<\/p>\n <\/div>\n ECCI00004870, CH040<\/p>\n <\/div>\n Preparazione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 21<\/p>\n <\/div>\n <\/div>\n Adattamento<\/p>\n <\/div>\n Regency<\/p>\n <\/div>\n ECCI00004876, CH039<\/p>\n <\/div>\n Preparazione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 15<\/p>\n <\/div>\n <\/div>\n Bozza sceneggiatura<\/p>\n <\/div>\n Regency<\/p>\n <\/div>\n ECCI00017531, CH073<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 12<\/p>\n <\/div>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n Regency<\/p>\n <\/div>\n ECCI00017534, CH073<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 1<\/p>\n <\/div>\n <\/div>\n Appunti<\/p>\n <\/div>\n Regency<\/p>\n <\/div>\n ECCI00004886, CH039<\/p>\n <\/div>\n Preparazione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 17<\/p>\n <\/div>\n <\/div>\n Bozza sceneggiatura<\/p>\n <\/div>\n Regency<\/p>\n <\/div>\n ECCI00017512, CH072<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 15<\/p>\n <\/div>\n <\/div>\n Trattamento<\/p>\n <\/div>\n Regency<\/p>\n <\/div>\n ECCI00017521, CH073<\/p>\n <\/div>\n Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\tJack, what are you looking at? [...]\/[Charles Chaplin]<\/h2>\n\n
Lade (continuing to Regency) : Miss Davenport, your most obedient [...]\/[Charles Chaplin]<\/h2>\n\n
Notes on sequence following first party at Pavillon\/[R.V.C. Bodley]<\/h2>\n\n
Notes on story conference Feb. 5th and 6th\/[R.V.C. Bodley]<\/h2>\n\n
P. : Yes, Marah will be pleased to hear that one [...]\/[Charles Chaplin]<\/h2>\n\n
Part 2.\/[R.V.C. Bodley]<\/h2>\n\n
Part 2.\/[R.V.C. Bodley]<\/h2>\n\n
Prince : Well, Lord Wilbraham, what do you think of the change in the cabinet? [...]\/[Charles Chaplin]<\/h2>\n\n
R. : I know I deceived you. I deceived myself in the beginning [...]\/[Charles Chaplin]<\/h2>\n\n
Regency\/[Charles Chaplin]<\/h2>\n\n
Regency is the daughter of an Indian Merchant living in the early nineteenth century [...]\/[Charles Chaplin]<\/h2>\n\n
Regency meets a young man who evidently becomes a radical [...]\/[Charles Chaplin]<\/h2>\n\n