{"load_more":true,"html":"\t
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1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Thanksgiving Reprise for \u0091Gold Rush\u0092 at UCLA<\/h2>\n\n
\n
\n [1973] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Progetto<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00016875, CH165<\/p>\n <\/div>\n

\n Serie<\/span>\n

Rassegna stampa<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Pay Day : credits<\/h2>\n\n
\n
\n 1972\/11\/13-1974\/03\/04 <\/div>\n
\n

7<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Crediti<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Pay Day<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00315330, CH004<\/p>\n <\/div>\n

\n Serie<\/span>\n

Riedizioni<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Pay Day : Musicians Vouchers : November 1972\/Roy Export<\/h2>\n\n
\n
\n 1972\/11 <\/div>\n
\n

74<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Quietanza<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Pay Day<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00315332, CH004<\/p>\n <\/div>\n

\n Serie<\/span>\n

Riedizioni<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Lettera] October 18, 1972 [a] Charles Chaplin\/Roy Export Company Establishment<\/h2>\n\n
\n
\n 1972\/10\/18 <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Lettera<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Pay Day<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00315317, CH004<\/p>\n <\/div>\n

\n Serie<\/span>\n

Riedizioni<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch00473a001.jpg\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Lettera] 7 October 1972 [a] The Roy Export Company Establishment\/Charles Spencer Chaplin<\/h2>\n\n
\n
\n 1972\/10\/07 <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Lettera<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Pay Day<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00315316, CH004<\/p>\n <\/div>\n

\n Serie<\/span>\n

Riedizioni<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch20825001.jpg\"\n\t\t\t\t\t
3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Lettera] 1972 November 20 [a] Eric James\/Rachel Ford<\/h2>\n\n
\n
\n 1972 <\/div>\n
\n

3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Lettera<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Pay Day<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00022622, CH208<\/p>\n <\/div>\n

\n Serie<\/span>\n

Produzione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch22093001.jpg\"\n\t\t\t\t\t
2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Lettera] 1972 November 21st [a] R. M. Ford\/Eric<\/h2>\n\n
\n
\n 1972 <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Lettera<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Pay Day<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00023365, CH220<\/p>\n <\/div>\n

\n Serie<\/span>\n

Riedizioni<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch22092001.jpg\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Lettera] 1972 November 3rd [a] R. M. Ford\/Eric<\/h2>\n\n
\n
\n 1972 <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Lettera<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Pay Day<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00023364, CH220<\/p>\n <\/div>\n

\n Serie<\/span>\n

Riedizioni<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Denlabs Invoices\/The Rank Organisations, Film Processing Division<\/h2>\n\n
\n
\n 1972 <\/div>\n
\n

155<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fattura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Idle Class<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00023526, CH222<\/p>\n <\/div>\n

\n Serie<\/span>\n

Distribuzione e promozione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch03650d001.jpg\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

\"The Idle Class\"-\"A Day's Pleasure\"-\"Pay Day\"-\"The Kid\"-\"Sunnyside\"\/[The Rank Organisation] print and fine grain order<\/h2>\n\n
\n
\n 1970\/10\/30 <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Resoconto<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Kid<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00004794, CH036<\/p>\n <\/div>\n

\n Serie<\/span>\n

Riedizioni<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Denlabs Invoices\/The Rank Organisations, Film Processing Division<\/h2>\n\n
\n
\n 1968 <\/div>\n
\n

40<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fattura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Idle Class<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00023529, CH222<\/p>\n <\/div>\n

\n Serie<\/span>\n

Distribuzione e promozione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Denlabs\/The Rank Organisations, Film Processing Division<\/h2>\n\n
\n
\n 1967 <\/div>\n
\n

23<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Fattura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Pay Day<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00023530, CH222<\/p>\n <\/div>\n

\n Serie<\/span>\n

Distribuzione e promozione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

[Lettera] 1965 August 23rd, Paris [a] Andrew J. Davis\/R. M. Ford<\/h2>\n\n
\n
\n 1965\/08\/23 <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Lettera<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Immigrant<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00030325, CH182<\/p>\n <\/div>\n

\n Serie<\/span>\n

Violazione del diritto d'autore<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch08619001.jpg\"\n\t\t\t\t\t
2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Lettera] 1965 June 2nd [a] Charles Chaplin\/[Rachel M. Ford]<\/h2>\n\n
\n
\n 1965\/06\/02 <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Lettera<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00019359, CH086<\/p>\n <\/div>\n

\n Serie<\/span>\n

Riedizioni<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

[Lettera] 1965 January 24, New York [a] Rachel Ford\/Raymond Rohauer<\/h2>\n\n
\n
\n 1965\/01\/24 <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Lettera<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Monsieur Verdoux<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00018528, CH176<\/p>\n <\/div>\n

\n Serie<\/span>\n

Violazione del diritto d'autore<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

[Lettera] 1964 November 30th, Paris [a] Andrew J. Davis\/R. M. Ford<\/h2>\n\n
\n
\n 1964\/11\/30 <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Lettera<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

A Dog's Life<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00030353, CH182<\/p>\n <\/div>\n

\n Serie<\/span>\n

Violazione del diritto d'autore<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

[Lettera] 1964 November 27, Los Angeles [a] Gee Film Library\/Andrew J. Davis<\/h2>\n\n
\n
\n 1964\/11\/27 <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Lettera<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Shoulder Arms<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00030358, CH182<\/p>\n <\/div>\n

\n Serie<\/span>\n

Violazione del diritto d'autore<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

[Lettera] 1964 October 21st, Paris [a] Andrew J. Davis\/R. M. Ford<\/h2>\n\n