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14<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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Dedication Day\/James Agee<\/h2>\n\n
\n
\n [1946] <\/div>\n
\n

14<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Soggetto<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00314873, CH003<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

It's nice work when you can get it\/[Sydney Chaplin]<\/h2>\n\n
\n
\n [1950] <\/div>\n
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5<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Soggetto<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00314958, CH022<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

New York Story\/[Charles Chaplin]<\/h2>\n\n
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\n [1927-1931] <\/div>\n
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3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Soggetto<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00017272, CH003<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Notes on Story\/[Charles Chaplin]<\/h2>\n\n
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\n [1927-1931] <\/div>\n
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10<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Soggetto<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00017274, CH003<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

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Notes on the Ghetto\/[Charles Chaplin]<\/h2>\n\n
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\n [1927-1931] <\/div>\n
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3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Soggetto<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00017275, CH003<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Suicide Club\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1927-1931] <\/div>\n
\n

5<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Soggetto<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00017270, CH003<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

The Extra Man\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1927-1931] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Soggetto<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00017273, CH003<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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\n \t\n\t\t\t\t\t
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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Picture Idea (Starring Sydney) ; Power Line\/[Charles Chaplin]<\/h2>\n\n
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\n [1930-1940] <\/div>\n
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0<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Soggetto<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00315466<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Suggestion for trip to Mars\/[Charles Chaplin]<\/h2>\n\n
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\n [1930-1940] <\/div>\n
\n

4<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Adattamento | Soggetto<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Napoleon<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00315463, CH003<\/p>\n <\/div>\n

\n Serie<\/span>\n

Preparazione<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

[Appunti] 4. The Weston four horse mail came at a rustling gait [...]\/[Charles Chaplin]<\/h2>\n\n
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\n [1930-1950] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Soggetto<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00009417, CH040<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

[Appunti] In California near Santa Barbara, overlooking the vast expanse of the Pacific ocean [...]\/[Charles Chaplin]<\/h2>\n\n
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\n [1930-1950] <\/div>\n
\n

8<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Soggetto<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00009423, CH040<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Marie was a prostitute, an easy-going docile girl [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1930-1950] <\/div>\n
\n

3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Soggetto<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00009419, CH040<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Modern\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1930-1950] <\/div>\n
\n

3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Soggetto<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00009420, CH040<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Picture Idea (starring Sydney)\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1930-1950] <\/div>\n
\n

10<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Soggetto<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00009405, CH003<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Sonia worked in a small stationery shop [...]\/[Charles Chaplin]<\/h2>\n\n
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\n [1930-1950] <\/div>\n
\n

4<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Soggetto<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00009418, CH040<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

To make her understand and to recall [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1930-1950] <\/div>\n
\n

5<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Soggetto<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00009421, CH040<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

[Appunti] A native princess of Bali is sent by her people to the States [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1931-1932] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Soggetto<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Bali Story<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00015648, CH072<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t