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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

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Palace [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1931-1932] <\/div>\n
\n

3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Bali Story<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00016548, CH073<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

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Why do you think she is going around\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1931-1932] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Bali Story<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00016549, CH073<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

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And which was approved and passed [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1931-1942] <\/div>\n
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1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Bali Story<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00017286, CH154<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

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Automobile scene on the way to the palace [...]\/[Charles Chaplin] [Bali]<\/h2>\n\n
\n
\n [1931-1942] <\/div>\n
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9<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Bali Story<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00017291, CH154<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

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Bali, the last paradise of the East Indies [...]\/[Charles Chaplin]<\/h2>\n\n
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\n [1931-1942] <\/div>\n
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7<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Bali Story<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00017295, CH154<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

But we grew rice on these fields [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1931-1942] <\/div>\n
\n

4<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Bali Story<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00017288, CH154<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Dissolve into Palace\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1931-1942] <\/div>\n
\n

5<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Bali Story<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00017278, CH154<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

F. : What I do for you\/[Charles Chaplin]<\/h2>\n\n
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\n [1931-1942] <\/div>\n
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1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Bali Story<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00017293, CH154<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Father, Turning to servant [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1931-1942] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Bali Story<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00017287, CH154<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

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Mana I love you [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1931-1942] <\/div>\n
\n

22<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Bali Story<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00017500, CH035<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Mother : Mana's s strange girl [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1931-1942] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Bali Story<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00017284, CH154<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

That\u0092s what I call rugged individualism [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1931-1942] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Bali Story<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00017290, CH154<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

To your Highness and great prosperity to your people [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1931-1942] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Bali Story<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00017289, CH154<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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19<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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A Dramatic Composition in Three Acts Entitled \"City Lights\"\/by Charles Spencer Chaplin of Great Britain, domiciled in the United States at Los Angeles, California<\/h2>\n\n
\n
\n 1931\/01 <\/div>\n
\n

19<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

City Lights<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00004687, CH003<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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19<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

A Dramatic Composition in Three Acts Entitled City Lights\/by Charles Spencer Chaplin of Great Britain, Domiciled in the United States at Los Angeles, California<\/h2>\n\n
\n
\n 1931\/01 <\/div>\n
\n

19<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

City Lights<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00313452, CHM17<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Carloff loves you [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029059, CH220<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Enter the errand boy [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

4<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029039, CH187<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Even now as I talk you seem strange and far away [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

6<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029057, CH220<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Giving the glasses to her mother [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

8<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029028, CH187<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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\n

Contenuto riservato<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

It isn\u0092t so easy to part from bad habits like smoking [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

10<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Tipologia<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n

\n Film\/Progetto<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Codice record<\/span>\n

ECCI00029038, CH187<\/p>\n <\/div>\n

\n Serie<\/span>\n

Sceneggiatura<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t"}