![\"x0262.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/x0262.jpg\")
\n\t\t\t\t\t[Jack Dempsey, Carlyle Robinson, Alfred Reeves, Sydney Chaplin, Dinky Dean Riesner]<\/h2>\n\n \n \n [1922] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027256, X029<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"x106.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/x106.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Lita Grey signing contract for \"The Gold Rush\": (L to R) Eddie Manson, Lillian Spicer, Chuck Riesner, Charles Chaplin, Jim Tully, Alf Reeves, Henry Bergman, Eddie Sutherland, Alf Reeves (all pointing)]<\/h2>\n\n \n \n [1923] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027056, X008<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"x0280.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/x0280.jpg\")
\n\t\t\t\t\t6<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[British delegates to Milwaukee convention on set \"Gold Rush\"]<\/h2>\n\n \n \n [1923-1925] <\/div>\n \n 6<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025696, X002<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"x0004.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/x0004.jpg\")
\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[British delegates to Milwaukee convention on set \"Gold Rush\"]<\/h2>\n\n \n \n [1923-1925] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027248, X029<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"x108.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/x108.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Lita Grey signing her contract before Charles Chaplin, Lillian Spicer, Jim Tully, Eddie Sutherland, Henry Bergman, Chuck Riesner and Alfred Reeves]<\/h2>\n\n \n \n [1924] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025740, X004<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"misc_0156.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/misc_0156.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Virginia Cherrill and Alfred Reeves]<\/h2>\n\n \n \n [1925] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00028604, MISC0041<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"x147.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/x147.jpg\")
\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Alfred Reeves, Randolph Churchill, John Churchill, John Churchill Jr, Charles Chaplin, Ambassador Moore and Winston Churchill]<\/h2>\n\n \n \n [1925-1930] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025756, X005<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"x158.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/x158.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Winston Churchill, Ambassador Moore and Alfred Reeves on the set]<\/h2>\n\n \n \n [1925-1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025760, X005<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"cir_0423.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/cir_0423.jpg\")
\n\t\t\t\t\t14<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Harry Crocker, Henry Bergman, Rollie Totheroh, Mark Marlatt, George Davis, Stanley J. Sanford, Betty Morrissey, John Rand, Carlyle Robinson, William Hinckley, Allan Garcia and Alfred Reeves]<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 14<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026008, CIR022<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"x0016.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/x0016.jpg\")
\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Alice Lloyd and Alfred Reeves]<\/h2>\n\n \n \n [1926] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027094, X011<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"cl_0452.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/cl_0452.jpg\")
\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin talks on a microphone before Harry Crocker, Virginia Cherrill and Alfred Reeves]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025554, CL019<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"cl_0426.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/cl_0426.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charlie Chaplin with Alfred Reeves and Ralph Barton on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025542, CL018<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"x293.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/x293.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Grace Kingsley, Alfred Reeves and Japanes visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027110, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"x291.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/x291.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
1<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
ECCI00027256, X029<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Lita Grey signing contract for \"The Gold Rush\": (L to R) Eddie Manson, Lillian Spicer, Chuck Riesner, Charles Chaplin, Jim Tully, Alf Reeves, Henry Bergman, Eddie Sutherland, Alf Reeves (all pointing)]<\/h2>\n\n \n \n [1923] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027056, X008<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t6<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[British delegates to Milwaukee convention on set \"Gold Rush\"]<\/h2>\n\n \n \n [1923-1925] <\/div>\n \n 6<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025696, X002<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[British delegates to Milwaukee convention on set \"Gold Rush\"]<\/h2>\n\n \n \n [1923-1925] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027248, X029<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Lita Grey signing her contract before Charles Chaplin, Lillian Spicer, Jim Tully, Eddie Sutherland, Henry Bergman, Chuck Riesner and Alfred Reeves]<\/h2>\n\n \n \n [1924] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025740, X004<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Virginia Cherrill and Alfred Reeves]<\/h2>\n\n \n \n [1925] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00028604, MISC0041<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Alfred Reeves, Randolph Churchill, John Churchill, John Churchill Jr, Charles Chaplin, Ambassador Moore and Winston Churchill]<\/h2>\n\n \n \n [1925-1930] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025756, X005<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Winston Churchill, Ambassador Moore and Alfred Reeves on the set]<\/h2>\n\n \n \n [1925-1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025760, X005<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t14<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Harry Crocker, Henry Bergman, Rollie Totheroh, Mark Marlatt, George Davis, Stanley J. Sanford, Betty Morrissey, John Rand, Carlyle Robinson, William Hinckley, Allan Garcia and Alfred Reeves]<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 14<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026008, CIR022<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Alice Lloyd and Alfred Reeves]<\/h2>\n\n \n \n [1926] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027094, X011<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin talks on a microphone before Harry Crocker, Virginia Cherrill and Alfred Reeves]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025554, CL019<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charlie Chaplin with Alfred Reeves and Ralph Barton on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025542, CL018<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Grace Kingsley, Alfred Reeves and Japanes visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027110, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
1<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
The Gold Rush<\/p>\n <\/div>\n
ECCI00027056, X008<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[British delegates to Milwaukee convention on set \"Gold Rush\"]<\/h2>\n\n \n \n [1923-1925] <\/div>\n \n 6<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025696, X002<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[British delegates to Milwaukee convention on set \"Gold Rush\"]<\/h2>\n\n \n \n [1923-1925] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027248, X029<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Lita Grey signing her contract before Charles Chaplin, Lillian Spicer, Jim Tully, Eddie Sutherland, Henry Bergman, Chuck Riesner and Alfred Reeves]<\/h2>\n\n \n \n [1924] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025740, X004<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Virginia Cherrill and Alfred Reeves]<\/h2>\n\n \n \n [1925] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00028604, MISC0041<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Alfred Reeves, Randolph Churchill, John Churchill, John Churchill Jr, Charles Chaplin, Ambassador Moore and Winston Churchill]<\/h2>\n\n \n \n [1925-1930] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025756, X005<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Winston Churchill, Ambassador Moore and Alfred Reeves on the set]<\/h2>\n\n \n \n [1925-1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025760, X005<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t14<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Harry Crocker, Henry Bergman, Rollie Totheroh, Mark Marlatt, George Davis, Stanley J. Sanford, Betty Morrissey, John Rand, Carlyle Robinson, William Hinckley, Allan Garcia and Alfred Reeves]<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 14<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026008, CIR022<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Alice Lloyd and Alfred Reeves]<\/h2>\n\n \n \n [1926] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027094, X011<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin talks on a microphone before Harry Crocker, Virginia Cherrill and Alfred Reeves]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025554, CL019<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charlie Chaplin with Alfred Reeves and Ralph Barton on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025542, CL018<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Grace Kingsley, Alfred Reeves and Japanes visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027110, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
6<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
The Gold Rush<\/p>\n <\/div>\n
ECCI00025696, X002<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[British delegates to Milwaukee convention on set \"Gold Rush\"]<\/h2>\n\n \n \n [1923-1925] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027248, X029<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Lita Grey signing her contract before Charles Chaplin, Lillian Spicer, Jim Tully, Eddie Sutherland, Henry Bergman, Chuck Riesner and Alfred Reeves]<\/h2>\n\n \n \n [1924] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025740, X004<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Virginia Cherrill and Alfred Reeves]<\/h2>\n\n \n \n [1925] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00028604, MISC0041<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Alfred Reeves, Randolph Churchill, John Churchill, John Churchill Jr, Charles Chaplin, Ambassador Moore and Winston Churchill]<\/h2>\n\n \n \n [1925-1930] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025756, X005<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Winston Churchill, Ambassador Moore and Alfred Reeves on the set]<\/h2>\n\n \n \n [1925-1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025760, X005<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t14<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Harry Crocker, Henry Bergman, Rollie Totheroh, Mark Marlatt, George Davis, Stanley J. Sanford, Betty Morrissey, John Rand, Carlyle Robinson, William Hinckley, Allan Garcia and Alfred Reeves]<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 14<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026008, CIR022<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Alice Lloyd and Alfred Reeves]<\/h2>\n\n \n \n [1926] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027094, X011<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin talks on a microphone before Harry Crocker, Virginia Cherrill and Alfred Reeves]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025554, CL019<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charlie Chaplin with Alfred Reeves and Ralph Barton on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025542, CL018<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Grace Kingsley, Alfred Reeves and Japanes visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027110, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
2<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
The Gold Rush<\/p>\n <\/div>\n
ECCI00027248, X029<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Lita Grey signing her contract before Charles Chaplin, Lillian Spicer, Jim Tully, Eddie Sutherland, Henry Bergman, Chuck Riesner and Alfred Reeves]<\/h2>\n\n \n \n [1924] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025740, X004<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Virginia Cherrill and Alfred Reeves]<\/h2>\n\n \n \n [1925] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00028604, MISC0041<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Alfred Reeves, Randolph Churchill, John Churchill, John Churchill Jr, Charles Chaplin, Ambassador Moore and Winston Churchill]<\/h2>\n\n \n \n [1925-1930] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025756, X005<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Winston Churchill, Ambassador Moore and Alfred Reeves on the set]<\/h2>\n\n \n \n [1925-1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025760, X005<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t14<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Harry Crocker, Henry Bergman, Rollie Totheroh, Mark Marlatt, George Davis, Stanley J. Sanford, Betty Morrissey, John Rand, Carlyle Robinson, William Hinckley, Allan Garcia and Alfred Reeves]<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 14<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026008, CIR022<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Alice Lloyd and Alfred Reeves]<\/h2>\n\n \n \n [1926] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027094, X011<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin talks on a microphone before Harry Crocker, Virginia Cherrill and Alfred Reeves]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025554, CL019<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charlie Chaplin with Alfred Reeves and Ralph Barton on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025542, CL018<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Grace Kingsley, Alfred Reeves and Japanes visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027110, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
1<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
ECCI00025740, X004<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Virginia Cherrill and Alfred Reeves]<\/h2>\n\n \n \n [1925] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00028604, MISC0041<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Alfred Reeves, Randolph Churchill, John Churchill, John Churchill Jr, Charles Chaplin, Ambassador Moore and Winston Churchill]<\/h2>\n\n \n \n [1925-1930] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025756, X005<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Winston Churchill, Ambassador Moore and Alfred Reeves on the set]<\/h2>\n\n \n \n [1925-1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025760, X005<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t14<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Harry Crocker, Henry Bergman, Rollie Totheroh, Mark Marlatt, George Davis, Stanley J. Sanford, Betty Morrissey, John Rand, Carlyle Robinson, William Hinckley, Allan Garcia and Alfred Reeves]<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 14<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026008, CIR022<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Alice Lloyd and Alfred Reeves]<\/h2>\n\n \n \n [1926] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027094, X011<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin talks on a microphone before Harry Crocker, Virginia Cherrill and Alfred Reeves]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025554, CL019<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charlie Chaplin with Alfred Reeves and Ralph Barton on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025542, CL018<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Grace Kingsley, Alfred Reeves and Japanes visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027110, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
1<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
ECCI00028604, MISC0041<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Alfred Reeves, Randolph Churchill, John Churchill, John Churchill Jr, Charles Chaplin, Ambassador Moore and Winston Churchill]<\/h2>\n\n \n \n [1925-1930] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025756, X005<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Winston Churchill, Ambassador Moore and Alfred Reeves on the set]<\/h2>\n\n \n \n [1925-1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025760, X005<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t14<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Harry Crocker, Henry Bergman, Rollie Totheroh, Mark Marlatt, George Davis, Stanley J. Sanford, Betty Morrissey, John Rand, Carlyle Robinson, William Hinckley, Allan Garcia and Alfred Reeves]<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 14<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026008, CIR022<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Alice Lloyd and Alfred Reeves]<\/h2>\n\n \n \n [1926] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027094, X011<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin talks on a microphone before Harry Crocker, Virginia Cherrill and Alfred Reeves]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025554, CL019<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charlie Chaplin with Alfred Reeves and Ralph Barton on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025542, CL018<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Grace Kingsley, Alfred Reeves and Japanes visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027110, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
2<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
ECCI00025756, X005<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Charles Chaplin, Winston Churchill, Ambassador Moore and Alfred Reeves on the set]<\/h2>\n\n \n \n [1925-1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025760, X005<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t14<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Harry Crocker, Henry Bergman, Rollie Totheroh, Mark Marlatt, George Davis, Stanley J. Sanford, Betty Morrissey, John Rand, Carlyle Robinson, William Hinckley, Allan Garcia and Alfred Reeves]<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 14<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026008, CIR022<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Alice Lloyd and Alfred Reeves]<\/h2>\n\n \n \n [1926] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027094, X011<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin talks on a microphone before Harry Crocker, Virginia Cherrill and Alfred Reeves]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025554, CL019<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charlie Chaplin with Alfred Reeves and Ralph Barton on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025542, CL018<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Grace Kingsley, Alfred Reeves and Japanes visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027110, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
1<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
ECCI00025760, X005<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Harry Crocker, Henry Bergman, Rollie Totheroh, Mark Marlatt, George Davis, Stanley J. Sanford, Betty Morrissey, John Rand, Carlyle Robinson, William Hinckley, Allan Garcia and Alfred Reeves]<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 14<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026008, CIR022<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Alice Lloyd and Alfred Reeves]<\/h2>\n\n \n \n [1926] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027094, X011<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin talks on a microphone before Harry Crocker, Virginia Cherrill and Alfred Reeves]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025554, CL019<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charlie Chaplin with Alfred Reeves and Ralph Barton on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025542, CL018<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Grace Kingsley, Alfred Reeves and Japanes visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027110, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
14<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
The Circus<\/p>\n <\/div>\n
ECCI00026008, CIR022<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Charles Chaplin, Alice Lloyd and Alfred Reeves]<\/h2>\n\n \n \n [1926] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027094, X011<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin talks on a microphone before Harry Crocker, Virginia Cherrill and Alfred Reeves]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025554, CL019<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charlie Chaplin with Alfred Reeves and Ralph Barton on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025542, CL018<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Grace Kingsley, Alfred Reeves and Japanes visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027110, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
5<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
ECCI00027094, X011<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Charles Chaplin talks on a microphone before Harry Crocker, Virginia Cherrill and Alfred Reeves]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025554, CL019<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charlie Chaplin with Alfred Reeves and Ralph Barton on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025542, CL018<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Grace Kingsley, Alfred Reeves and Japanes visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027110, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
5<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
City Lights<\/p>\n <\/div>\n
ECCI00025554, CL019<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Charlie Chaplin with Alfred Reeves and Ralph Barton on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025542, CL018<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Grace Kingsley, Alfred Reeves and Japanes visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027110, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
1<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
City Lights<\/p>\n <\/div>\n
ECCI00025542, CL018<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Grace Kingsley, Alfred Reeves and Japanes visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027110, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t
1<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
City Lights<\/p>\n <\/div>\n
ECCI00027110, X013<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t