![\"ch20265001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch20265001.jpg\")
\n\t\t\t\t\tRampljus \u00e5r kanske den filmpremi\u00e4r [...]<\/h2>\n\n \n \n 1952\/12\/26 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Limelight<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00022220, CH202<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch20391001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch20391001.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tChaplin Y Buster Keaton en \"Candilejas\"<\/h2>\n\n \n \n 1953\/06\/07 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Limelight<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00020971, CH203<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch20472001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch20472001.jpg\")
\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlie Chaplin Celebra Hoy Sus 70 Anos\/J. M. P<\/h2>\n\n \n \n 1959\/04\/16 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00020758, CH204<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch11217001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch11217001.jpg\")
\n\t\t\t\t\t10<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tBiografia del Cine : capitulo XXVIII\/por Paco Ignacio Taibo<\/h2>\n\n \n \n [1960-1970] <\/div>\n \n 10<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00016342, CH112<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch15511001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch15511001.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tRecasting Screen Classics\u0085 \"Prisoner of Zenda\"\/Al Kilgore<\/h2>\n\n \n \n [1960-1970] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Drawing<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00019195, CH155<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch23122001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch23122001.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlie Chaplin, The Mad Artist<\/h2>\n\n \n \n 1963 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Lobby card<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00029992, CH231<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch16904001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch16904001.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tNow playing in a theatre or drive-in near you!<\/h2>\n\n \n \n [1970-1975] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017342, CH169<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch16902001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch16902001.jpg\")
\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Chaplin Season<\/h2>\n\n \n \n [1972] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017341, CH169<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch17022001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch17022001.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Finale : Buster Keaton and Charlie Chaplin]<\/h2>\n\n \n \n 1973\/12\/06 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Limelight<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017470, CH170<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch21362001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch21362001.jpg\")
\n\t\t\t\t\t23<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlot : notre album de photo souvenir\/Gaston Bonheur<\/h2>\n\n \n \n 1978\/01 <\/div>\n \n 23<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00030209, CH213<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch21352001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch21352001.jpg\")
\n\t\t\t\t\t
1<\/p>\n <\/div>\n <\/div>\n
Limelight<\/p>\n <\/div>\n
ECCI00022220, CH202<\/p>\n <\/div>\n
Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tChaplin Y Buster Keaton en \"Candilejas\"<\/h2>\n\n \n \n 1953\/06\/07 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Limelight<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00020971, CH203<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlie Chaplin Celebra Hoy Sus 70 Anos\/J. M. P<\/h2>\n\n \n \n 1959\/04\/16 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00020758, CH204<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t10<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tBiografia del Cine : capitulo XXVIII\/por Paco Ignacio Taibo<\/h2>\n\n \n \n [1960-1970] <\/div>\n \n 10<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00016342, CH112<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tRecasting Screen Classics\u0085 \"Prisoner of Zenda\"\/Al Kilgore<\/h2>\n\n \n \n [1960-1970] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Drawing<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00019195, CH155<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlie Chaplin, The Mad Artist<\/h2>\n\n \n \n 1963 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Lobby card<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00029992, CH231<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tNow playing in a theatre or drive-in near you!<\/h2>\n\n \n \n [1970-1975] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017342, CH169<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Chaplin Season<\/h2>\n\n \n \n [1972] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017341, CH169<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Finale : Buster Keaton and Charlie Chaplin]<\/h2>\n\n \n \n 1973\/12\/06 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Limelight<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017470, CH170<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t23<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlot : notre album de photo souvenir\/Gaston Bonheur<\/h2>\n\n \n \n 1978\/01 <\/div>\n \n 23<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00030209, CH213<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
1<\/p>\n <\/div>\n <\/div>\n
Limelight<\/p>\n <\/div>\n
ECCI00020971, CH203<\/p>\n <\/div>\n
Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tCharlie Chaplin Celebra Hoy Sus 70 Anos\/J. M. P<\/h2>\n\n \n \n 1959\/04\/16 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00020758, CH204<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t10<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tBiografia del Cine : capitulo XXVIII\/por Paco Ignacio Taibo<\/h2>\n\n \n \n [1960-1970] <\/div>\n \n 10<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00016342, CH112<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tRecasting Screen Classics\u0085 \"Prisoner of Zenda\"\/Al Kilgore<\/h2>\n\n \n \n [1960-1970] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Drawing<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00019195, CH155<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlie Chaplin, The Mad Artist<\/h2>\n\n \n \n 1963 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Lobby card<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00029992, CH231<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tNow playing in a theatre or drive-in near you!<\/h2>\n\n \n \n [1970-1975] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017342, CH169<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Chaplin Season<\/h2>\n\n \n \n [1972] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017341, CH169<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Finale : Buster Keaton and Charlie Chaplin]<\/h2>\n\n \n \n 1973\/12\/06 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Limelight<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017470, CH170<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t23<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlot : notre album de photo souvenir\/Gaston Bonheur<\/h2>\n\n \n \n 1978\/01 <\/div>\n \n 23<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00030209, CH213<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
2<\/p>\n <\/div>\n <\/div>\n
The Gold Rush<\/p>\n <\/div>\n
ECCI00020758, CH204<\/p>\n <\/div>\n
Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tBiografia del Cine : capitulo XXVIII\/por Paco Ignacio Taibo<\/h2>\n\n \n \n [1960-1970] <\/div>\n \n 10<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00016342, CH112<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tRecasting Screen Classics\u0085 \"Prisoner of Zenda\"\/Al Kilgore<\/h2>\n\n \n \n [1960-1970] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Drawing<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00019195, CH155<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlie Chaplin, The Mad Artist<\/h2>\n\n \n \n 1963 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Lobby card<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00029992, CH231<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tNow playing in a theatre or drive-in near you!<\/h2>\n\n \n \n [1970-1975] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017342, CH169<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Chaplin Season<\/h2>\n\n \n \n [1972] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017341, CH169<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Finale : Buster Keaton and Charlie Chaplin]<\/h2>\n\n \n \n 1973\/12\/06 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Limelight<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017470, CH170<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t23<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlot : notre album de photo souvenir\/Gaston Bonheur<\/h2>\n\n \n \n 1978\/01 <\/div>\n \n 23<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00030209, CH213<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
10<\/p>\n <\/div>\n <\/div>\n
Modern Times<\/p>\n <\/div>\n
ECCI00016342, CH112<\/p>\n <\/div>\n
Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tRecasting Screen Classics\u0085 \"Prisoner of Zenda\"\/Al Kilgore<\/h2>\n\n \n \n [1960-1970] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Drawing<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00019195, CH155<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlie Chaplin, The Mad Artist<\/h2>\n\n \n \n 1963 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Lobby card<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00029992, CH231<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tNow playing in a theatre or drive-in near you!<\/h2>\n\n \n \n [1970-1975] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017342, CH169<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Chaplin Season<\/h2>\n\n \n \n [1972] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017341, CH169<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Finale : Buster Keaton and Charlie Chaplin]<\/h2>\n\n \n \n 1973\/12\/06 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Limelight<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017470, CH170<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t23<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlot : notre album de photo souvenir\/Gaston Bonheur<\/h2>\n\n \n \n 1978\/01 <\/div>\n \n 23<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00030209, CH213<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
1<\/p>\n <\/div>\n <\/div>\n
Drawing<\/p>\n <\/div>\n
ECCI00019195, CH155<\/p>\n <\/div>\n
Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tCharlie Chaplin, The Mad Artist<\/h2>\n\n \n \n 1963 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Lobby card<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00029992, CH231<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tNow playing in a theatre or drive-in near you!<\/h2>\n\n \n \n [1970-1975] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017342, CH169<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Chaplin Season<\/h2>\n\n \n \n [1972] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017341, CH169<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Finale : Buster Keaton and Charlie Chaplin]<\/h2>\n\n \n \n 1973\/12\/06 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Limelight<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017470, CH170<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t23<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlot : notre album de photo souvenir\/Gaston Bonheur<\/h2>\n\n \n \n 1978\/01 <\/div>\n \n 23<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00030209, CH213<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
1<\/p>\n <\/div>\n <\/div>\n
Lobby card<\/p>\n <\/div>\n
ECCI00029992, CH231<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tNow playing in a theatre or drive-in near you!<\/h2>\n\n \n \n [1970-1975] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017342, CH169<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Chaplin Season<\/h2>\n\n \n \n [1972] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017341, CH169<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Finale : Buster Keaton and Charlie Chaplin]<\/h2>\n\n \n \n 1973\/12\/06 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Limelight<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017470, CH170<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t23<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlot : notre album de photo souvenir\/Gaston Bonheur<\/h2>\n\n \n \n 1978\/01 <\/div>\n \n 23<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00030209, CH213<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
1<\/p>\n <\/div>\n <\/div>\n
Modern Times<\/p>\n <\/div>\n
ECCI00017342, CH169<\/p>\n <\/div>\n
Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tThe Chaplin Season<\/h2>\n\n \n \n [1972] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017341, CH169<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Finale : Buster Keaton and Charlie Chaplin]<\/h2>\n\n \n \n 1973\/12\/06 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Limelight<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017470, CH170<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t23<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlot : notre album de photo souvenir\/Gaston Bonheur<\/h2>\n\n \n \n 1978\/01 <\/div>\n \n 23<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00030209, CH213<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
5<\/p>\n <\/div>\n <\/div>\n
Modern Times<\/p>\n <\/div>\n
ECCI00017341, CH169<\/p>\n <\/div>\n
Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Finale : Buster Keaton and Charlie Chaplin]<\/h2>\n\n \n \n 1973\/12\/06 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Limelight<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00017470, CH170<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t23<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlot : notre album de photo souvenir\/Gaston Bonheur<\/h2>\n\n \n \n 1978\/01 <\/div>\n \n 23<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00030209, CH213<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
1<\/p>\n <\/div>\n <\/div>\n
Limelight<\/p>\n <\/div>\n
ECCI00017470, CH170<\/p>\n <\/div>\n
Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tCharlot : notre album de photo souvenir\/Gaston Bonheur<\/h2>\n\n \n \n 1978\/01 <\/div>\n \n 23<\/p>\n <\/div>\n <\/div>\n
\n \n \n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00030209, CH213<\/p>\n <\/div>\n
\n Series<\/span>\n Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
23<\/p>\n <\/div>\n <\/div>\n
Modern Times<\/p>\n <\/div>\n
ECCI00030209, CH213<\/p>\n <\/div>\n
Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t![\"ch17153001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch17153001.jpg\")
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