![\"cir_737.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/cir_737.jpg\")
\n\t\t\t\t\tThe circus ready to leave : Rex, the Girl, Charlie and Ringmaster<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026182, CIR026<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"cir_0491.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/cir_0491.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe circus ready to leave : Rex, the Girl, Charlie and Ringmaster<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00028840, CIR026<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"cir_170.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/cir_170.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Girl and Ringmaster standing near wagon<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025896, CIR001<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"cir_235.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/cir_235.jpg\")
\n\t\t\t\t\t6<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Tryout<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 6<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025921, CIR010<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"cir_265.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/cir_265.jpg\")
\n\t\t\t\t\t4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Tryout : Charlie laughing and Ringmaster<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025926, CIR010<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"cir_294.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/cir_294.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Tryout : Charlie laughing and Ringmaster<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026179, CIR025<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"cir_0301.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/cir_0301.jpg\")
\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tTight rope sequence<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026059, CIR017<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"cir_500bis.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/cir_500bis.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tTrouble with the Property Men<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025963, CIR014<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"cl_242.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/cl_242.jpg\")
\n\t\t\t\t\t3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's home : the Millionaire and Charlie enter<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 3<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025422, CL011<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"cl_159.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/cl_159.jpg\")
\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025421, CL011<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"cl_0523.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/cl_0523.jpg\")
\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025588, CL022<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"chm058001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/chm058001.jpg\")
\n\t\t\t\t\t
2<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
The Circus<\/p>\n <\/div>\n
ECCI00026182, CIR026<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tThe circus ready to leave : Rex, the Girl, Charlie and Ringmaster<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00028840, CIR026<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Girl and Ringmaster standing near wagon<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025896, CIR001<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t6<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Tryout<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 6<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025921, CIR010<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Tryout : Charlie laughing and Ringmaster<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025926, CIR010<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Tryout : Charlie laughing and Ringmaster<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026179, CIR025<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tTight rope sequence<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026059, CIR017<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tTrouble with the Property Men<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025963, CIR014<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's home : the Millionaire and Charlie enter<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 3<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025422, CL011<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025421, CL011<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025588, CL022<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
1<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
The Circus<\/p>\n <\/div>\n
ECCI00028840, CIR026<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tThe Girl and Ringmaster standing near wagon<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025896, CIR001<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t6<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Tryout<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 6<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025921, CIR010<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Tryout : Charlie laughing and Ringmaster<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025926, CIR010<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Tryout : Charlie laughing and Ringmaster<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026179, CIR025<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tTight rope sequence<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026059, CIR017<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tTrouble with the Property Men<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025963, CIR014<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's home : the Millionaire and Charlie enter<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 3<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025422, CL011<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025421, CL011<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025588, CL022<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
1<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
The Circus<\/p>\n <\/div>\n
ECCI00025896, CIR001<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tThe Tryout<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 6<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025921, CIR010<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Tryout : Charlie laughing and Ringmaster<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025926, CIR010<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Tryout : Charlie laughing and Ringmaster<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026179, CIR025<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tTight rope sequence<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026059, CIR017<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tTrouble with the Property Men<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025963, CIR014<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's home : the Millionaire and Charlie enter<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 3<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025422, CL011<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025421, CL011<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025588, CL022<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
6<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
The Circus<\/p>\n <\/div>\n
ECCI00025921, CIR010<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tThe Tryout : Charlie laughing and Ringmaster<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025926, CIR010<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Tryout : Charlie laughing and Ringmaster<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026179, CIR025<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tTight rope sequence<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026059, CIR017<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tTrouble with the Property Men<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025963, CIR014<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's home : the Millionaire and Charlie enter<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 3<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025422, CL011<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025421, CL011<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025588, CL022<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
4<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
The Circus<\/p>\n <\/div>\n
ECCI00025926, CIR010<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tThe Tryout : Charlie laughing and Ringmaster<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026179, CIR025<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tTight rope sequence<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026059, CIR017<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tTrouble with the Property Men<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025963, CIR014<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's home : the Millionaire and Charlie enter<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 3<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025422, CL011<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025421, CL011<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025588, CL022<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
1<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
The Circus<\/p>\n <\/div>\n
ECCI00026179, CIR025<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tTight rope sequence<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 5<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026059, CIR017<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tTrouble with the Property Men<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025963, CIR014<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's home : the Millionaire and Charlie enter<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 3<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025422, CL011<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025421, CL011<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025588, CL022<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
5<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
The Circus<\/p>\n <\/div>\n
ECCI00026059, CIR017<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tTrouble with the Property Men<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025963, CIR014<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's home : the Millionaire and Charlie enter<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 3<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025422, CL011<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025421, CL011<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025588, CL022<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
1<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
The Circus<\/p>\n <\/div>\n
ECCI00025963, CIR014<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tMillionaire's home : the Millionaire and Charlie enter<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 3<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025422, CL011<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025421, CL011<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025588, CL022<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
3<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
City Lights<\/p>\n <\/div>\n
ECCI00025422, CL011<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025421, CL011<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025588, CL022<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
2<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
City Lights<\/p>\n <\/div>\n
ECCI00025421, CL011<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tMillionaire's living room<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025588, CL022<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
2<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
City Lights<\/p>\n <\/div>\n
ECCI00025588, CL022<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t![\"mt_p_1.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/mt_p_1.jpg\")
\n\t\t\t\t\t