{"load_more":true,"html":"\t
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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Charles Chaplin and Mack Swain]<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Photograph<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00025066, GR001<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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[Charles Chaplin in a ship cabin talking to a man]<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Photograph<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00025086, GR019<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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[Charles Chaplin pulling a sled]<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Photograph<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00025088, GR020<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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[Charles Chaplin pushing a sled]<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Photograph<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00024798, GR018<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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[Charles Chaplin shoveling snow in front of General Merchandising]<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Photograph<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00025093, GR019<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Charles Chaplin sitting on a rock]<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

4<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Photograph<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00025064, GR001<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Dance Hall interior : Chaplin watching Jack dance with two girls]<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Photograph<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00025166, GR022<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Mining town : exterior by Elizaroff Photos]<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Photograph<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00025016, GR004<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Mining town : exterior by W. Davis Assayer]<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Photograph<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00025017, GR004<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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19<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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Cabin Interior : Big Jim threatens Charlie with knife<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

19<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Photograph<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00024737, GR006<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Cabin Interior : Big Jim threatens Charlie with knife<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Photograph<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00025177, GR023<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Cabin Interior : Black Larsen and Charlie with dog<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Photograph<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00024732, GR005<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Cabin Interior : Black Larsen and Charlie with dog<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Photograph<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00025197, GR025<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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3<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Cabin Interior : Charlie and Big Jim seated at table<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Photograph<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00024735, GR005<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Cabin Interior : Charlie and Big Jim starving<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Photograph<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00024739, GR006<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Cabin Interior : Charlie and Big Jim starving seated at table<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Photograph<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00025186, GR024<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Cabin Interior : Charlie at window covered with snow<\/h2>\n\n
\n
\n [1923\/12\/29-1925\/10\/31] <\/div>\n
\n

5<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Photograph<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00024736, GR005<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t