![\"cir_0467.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/cir_0467.jpg\")
\n\t\t\t\t\tCharlie begins to undress : monkeys baks at him<\/h2>\n\n \n \n [1925\/11\/02-1927\/11\/19] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026027, CIR023<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"cir_x25.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/cir_x25.jpg\")
\n\t\t\t\t\t4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tTight rope sequence with monkeys<\/h2>\n\n \n \n [1926\/01\/18-1926\/02\/07] <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025883, CIR000<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"x41.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/x41.jpg\")
\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Henry Bergman, Virginia Cherrill, Mary Lewis and two other people on the \"City Lights\" set]<\/h2>\n\n \n \n [1927-1931] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025655, X001<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"cir_9_15_27.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/cir_9_15_27.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Merna Kennedy and Henry Bergman in costume, sitting]<\/h2>\n\n \n \n [1927\/09\/15] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026030, CIR024<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"cl_0459.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/cl_0459.jpg\")
\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin and Henry Bergam on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025556, CL019<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"cl_0480.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/cl_0480.jpg\")
\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin and Henry Bergman on the Flower set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025567, CL020<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"cl_0462.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/cl_0462.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Henry Bergman and a man on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025558, CL020<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"x291.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/x291.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Kono, Douglas Fairbanks, Henry Bergman, Alfred Reeves and Japanese visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027109, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"mt_0218.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/mt_0218.jpg\")
\n\t\t\t\t\t4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tShack Location<\/h2>\n\n \n \n [1934] <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024105, MT017<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"mt_p_291.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/mt_p_291.jpg\")
\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlie waiter at Cafe\/Max Munn Autrey<\/h2>\n\n \n \n [1934-1935] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024069, MT006<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"mt_0403.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/mt_0403.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tH. Bergman and Della Steele<\/h2>\n\n \n \n [1934\/10\/11-1935\/08\/30] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024494, MT033<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch00715001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch00715001.jpg\")
\n\t\t\t\t\t
2<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
The Circus<\/p>\n <\/div>\n
ECCI00026027, CIR023<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tTight rope sequence with monkeys<\/h2>\n\n \n \n [1926\/01\/18-1926\/02\/07] <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025883, CIR000<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Henry Bergman, Virginia Cherrill, Mary Lewis and two other people on the \"City Lights\" set]<\/h2>\n\n \n \n [1927-1931] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025655, X001<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Merna Kennedy and Henry Bergman in costume, sitting]<\/h2>\n\n \n \n [1927\/09\/15] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026030, CIR024<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin and Henry Bergam on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025556, CL019<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin and Henry Bergman on the Flower set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025567, CL020<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Henry Bergman and a man on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025558, CL020<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Kono, Douglas Fairbanks, Henry Bergman, Alfred Reeves and Japanese visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027109, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tShack Location<\/h2>\n\n \n \n [1934] <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024105, MT017<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlie waiter at Cafe\/Max Munn Autrey<\/h2>\n\n \n \n [1934-1935] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024069, MT006<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tH. Bergman and Della Steele<\/h2>\n\n \n \n [1934\/10\/11-1935\/08\/30] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024494, MT033<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
4<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
The Circus<\/p>\n <\/div>\n
ECCI00025883, CIR000<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Charles Chaplin, Henry Bergman, Virginia Cherrill, Mary Lewis and two other people on the \"City Lights\" set]<\/h2>\n\n \n \n [1927-1931] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025655, X001<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Merna Kennedy and Henry Bergman in costume, sitting]<\/h2>\n\n \n \n [1927\/09\/15] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026030, CIR024<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin and Henry Bergam on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025556, CL019<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin and Henry Bergman on the Flower set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025567, CL020<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Henry Bergman and a man on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025558, CL020<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Kono, Douglas Fairbanks, Henry Bergman, Alfred Reeves and Japanese visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027109, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tShack Location<\/h2>\n\n \n \n [1934] <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024105, MT017<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlie waiter at Cafe\/Max Munn Autrey<\/h2>\n\n \n \n [1934-1935] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024069, MT006<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tH. Bergman and Della Steele<\/h2>\n\n \n \n [1934\/10\/11-1935\/08\/30] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024494, MT033<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
2<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
City Lights<\/p>\n <\/div>\n
ECCI00025655, X001<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Charles Chaplin, Merna Kennedy and Henry Bergman in costume, sitting]<\/h2>\n\n \n \n [1927\/09\/15] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Circus<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00026030, CIR024<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin and Henry Bergam on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025556, CL019<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin and Henry Bergman on the Flower set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025567, CL020<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Henry Bergman and a man on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025558, CL020<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Kono, Douglas Fairbanks, Henry Bergman, Alfred Reeves and Japanese visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027109, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tShack Location<\/h2>\n\n \n \n [1934] <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024105, MT017<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlie waiter at Cafe\/Max Munn Autrey<\/h2>\n\n \n \n [1934-1935] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024069, MT006<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tH. Bergman and Della Steele<\/h2>\n\n \n \n [1934\/10\/11-1935\/08\/30] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024494, MT033<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
1<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
The Circus<\/p>\n <\/div>\n
ECCI00026030, CIR024<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Charles Chaplin and Henry Bergam on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025556, CL019<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin and Henry Bergman on the Flower set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025567, CL020<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Henry Bergman and a man on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025558, CL020<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Kono, Douglas Fairbanks, Henry Bergman, Alfred Reeves and Japanese visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027109, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tShack Location<\/h2>\n\n \n \n [1934] <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024105, MT017<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlie waiter at Cafe\/Max Munn Autrey<\/h2>\n\n \n \n [1934-1935] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024069, MT006<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tH. Bergman and Della Steele<\/h2>\n\n \n \n [1934\/10\/11-1935\/08\/30] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024494, MT033<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
2<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
City Lights<\/p>\n <\/div>\n
ECCI00025556, CL019<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Charles Chaplin and Henry Bergman on the Flower set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025567, CL020<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Charles Chaplin, Henry Bergman and a man on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025558, CL020<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Kono, Douglas Fairbanks, Henry Bergman, Alfred Reeves and Japanese visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027109, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tShack Location<\/h2>\n\n \n \n [1934] <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024105, MT017<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlie waiter at Cafe\/Max Munn Autrey<\/h2>\n\n \n \n [1934-1935] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024069, MT006<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tH. Bergman and Della Steele<\/h2>\n\n \n \n [1934\/10\/11-1935\/08\/30] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024494, MT033<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
2<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
City Lights<\/p>\n <\/div>\n
ECCI00025567, CL020<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Charles Chaplin, Henry Bergman and a man on the set]<\/h2>\n\n \n \n [1927\/12\/31-1931\/01\/21] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00025558, CL020<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Kono, Douglas Fairbanks, Henry Bergman, Alfred Reeves and Japanese visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027109, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tShack Location<\/h2>\n\n \n \n [1934] <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024105, MT017<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlie waiter at Cafe\/Max Munn Autrey<\/h2>\n\n \n \n [1934-1935] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024069, MT006<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tH. Bergman and Della Steele<\/h2>\n\n \n \n [1934\/10\/11-1935\/08\/30] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024494, MT033<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
1<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
City Lights<\/p>\n <\/div>\n
ECCI00025558, CL020<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Kono, Douglas Fairbanks, Henry Bergman, Alfred Reeves and Japanese visitors on the \"City Lights\" set]<\/h2>\n\n \n \n [1930] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00027109, X013<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tShack Location<\/h2>\n\n \n \n [1934] <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024105, MT017<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlie waiter at Cafe\/Max Munn Autrey<\/h2>\n\n \n \n [1934-1935] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024069, MT006<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tH. Bergman and Della Steele<\/h2>\n\n \n \n [1934\/10\/11-1935\/08\/30] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024494, MT033<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
1<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
City Lights<\/p>\n <\/div>\n
ECCI00027109, X013<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tShack Location<\/h2>\n\n \n \n [1934] <\/div>\n \n 4<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024105, MT017<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tCharlie waiter at Cafe\/Max Munn Autrey<\/h2>\n\n \n \n [1934-1935] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024069, MT006<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tH. Bergman and Della Steele<\/h2>\n\n \n \n [1934\/10\/11-1935\/08\/30] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024494, MT033<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
4<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
Modern Times<\/p>\n <\/div>\n
ECCI00024105, MT017<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tCharlie waiter at Cafe\/Max Munn Autrey<\/h2>\n\n \n \n [1934-1935] <\/div>\n \n 7<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024069, MT006<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tH. Bergman and Della Steele<\/h2>\n\n \n \n [1934\/10\/11-1935\/08\/30] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024494, MT033<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
7<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
Modern Times<\/p>\n <\/div>\n
ECCI00024069, MT006<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\tH. Bergman and Della Steele<\/h2>\n\n \n \n [1934\/10\/11-1935\/08\/30] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Photograph<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00024494, MT033<\/p>\n <\/div>\n
\n Series<\/span>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t
1<\/p>\n <\/div>\n <\/div>\n
Photograph<\/p>\n <\/div>\n
Modern Times<\/p>\n <\/div>\n
ECCI00024494, MT033<\/p>\n <\/div>\n
Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t![\"gd_0054.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/gd_0054.jpg\")
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