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\t\n\t\t\t\t\t\t\t\t\t\"ch03142001.jpg\"\n\t\t\t\t\t
2<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tA Woman of Paris<\/span>\n\t\t\t\t

His epicurean tastes\/[Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1922-1923] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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1<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tA Woman of Paris<\/span>\n\t\t\t\t

I see you have another [...]\/[Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1922-1923] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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1<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tA Woman of Paris<\/span>\n\t\t\t\t

Story Notes<\/h2>\t\t\t\n\t\t\t\t [1923] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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2<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tA Woman of Paris<\/span>\n\t\t\t\t

Title about [...] perfume in kitchen [...]\/[Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1923] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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28<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tNapoleon<\/span>\n\t\t\t\t

[Notes] Private Life of Napolion (sic) by Constanz : Vol. 1, vol. 2\/[Sydney Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1925] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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34<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tThe Circus<\/span>\n\t\t\t\t

The Circus : The Traveller\/[Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1925] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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7<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tCity Lights<\/span>\n\t\t\t\t

[City Lights : notes on cutting and camera movements\/Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1927] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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48<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tCity Lights<\/span>\n\t\t\t\t

Continuity ; Suggested Business\/[Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1927] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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40<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tCity Lights<\/span>\n\t\t\t\t

Opening Picture ; Dream Sequence ; Charlie and Girl ; Hotel Lobby ; Suicide Scene ; Cafe ; Fight Sequence ; In and around Millionare's Home\/[Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1927] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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1<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t<\/span>\n\t\t\t\t

Though you change your name to me you will remain Sweet Jane [Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t 1927-1931 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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25<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tCity Lights<\/span>\n\t\t\t\t

Story sequence as of September 10, 1928 ; Continuity of Story as of January 24, 1929 ; Opening as of May 2, 1029 ; Outline of Story, May 21, 1929 ; Notes on Story. May 22, 1929\/[Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t 1928-1930 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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17<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t<\/span>\n\t\t\t\t

Story : White Lily\/by Major R.V.C. Bodley<\/h2>\t\t\t\n\t\t\t\t [1930-1950] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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1<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t<\/span>\n\t\t\t\t

[Busta 1931-1932\/Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1931-1932] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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50<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tModern Times<\/span>\n\t\t\t\t

[Modern Times notes for dialogue\/Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1933-1934] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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88<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tShadow and Substance<\/span>\n\t\t\t\t

Shadow and Substance : a Play in Four Acts\/Paul Vincent Carroll<\/h2>\t\t\t\n\t\t\t\t [1934] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t