{"load_more":true,"html":"\t
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7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Letter] 1954 mai 5, Gen\u00e8ve [to Charles Chaplin]\/Alfred Gehri<\/h2>\n\n
\n
\n 1954\/05\/05 <\/div>\n
\n

7<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Letter<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00015106, CH107<\/p>\n <\/div>\n

\n Series<\/span>\n

Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Charles Chaplin directing the music for \"A Countess from Hong Kong\"]<\/h2>\n\n
\n
\n [1960-1965] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Photograph<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00028590, MUSIC0008<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Charles Chaplin y Sophia Loren]<\/h2>\n\n
\n
\n [1960-1967] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00016312, CH111<\/p>\n <\/div>\n

\n Series<\/span>\n

Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Estrellas en Europa<\/h2>\n\n
\n
\n [1960-1967] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00016310, CH111<\/p>\n <\/div>\n

\n Series<\/span>\n

Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[\u00bfSupo al actor aprovechar]<\/h2>\n\n
\n
\n [1960-1970] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00016295, CH111<\/p>\n <\/div>\n

\n Series<\/span>\n

Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Charles Chaplin]<\/h2>\n\n
\n
\n [1960-1970] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00016354, CH112<\/p>\n <\/div>\n

\n Series<\/span>\n

Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch11216001.jpg\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[El veterano Charles Chaplin]<\/h2>\n\n
\n
\n [1960-1970] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00016341, CH112<\/p>\n <\/div>\n

\n Series<\/span>\n

Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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10<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Ageless Master\u0092s Anatomy of Comedy\/by Richard Meryman ; Roddy McDowall<\/h2>\n\n
\n
\n [1960-1970] <\/div>\n
\n

10<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00016743, CH144<\/p>\n <\/div>\n

\n Series<\/span>\n

Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch11217001.jpg\"\n\t\t\t\t\t
10<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Biografia del Cine : capitulo XXVIII\/por Paco Ignacio Taibo<\/h2>\n\n
\n
\n [1960-1970] <\/div>\n
\n

10<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Project<\/span>\n

Modern Times<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00016342, CH112<\/p>\n <\/div>\n

\n Series<\/span>\n

Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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15<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Chaplin<\/h2>\n\n
\n
\n [1960-1970] <\/div>\n
\n

15<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00016757, CH144<\/p>\n <\/div>\n

\n Series<\/span>\n

Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Charles Chaplin\/Brenda Jones<\/h2>\n\n
\n
\n [1960-1970] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Project<\/span>\n

Limelight<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00016756, CH144<\/p>\n <\/div>\n

\n Series<\/span>\n

Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch11239001.jpg\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Correo desde Cinelandia\/por Jos\u00e9 Jasd<\/h2>\n\n
\n
\n [1960-1970] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00016367, CH112<\/p>\n <\/div>\n

\n Series<\/span>\n

Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch11207001.jpg\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

La Comtesse de Hong-Kong<\/h2>\n\n
\n
\n [1960-1970] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00016330, CH112<\/p>\n <\/div>\n

\n Series<\/span>\n

Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch14487001.jpg\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Remembrance of Tramps Past\/by Mark Shivas<\/h2>\n\n
\n
\n [1960-1970] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Film\/Project<\/span>\n

Modern Times<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00016763, CH144<\/p>\n <\/div>\n

\n Series<\/span>\n

Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"countess_1896_4ad.jpg\"\n\t\t\t\t\t
4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[\"Bedtime Stories\"] ; [\"The Ugly American\"]\/Rank Film Distributors<\/h2>\n\n
\n
\n [1963] <\/div>\n
\n

4<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Photograph<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00029451, COUNTESS0061<\/p>\n <\/div>\n

\n Series<\/span>\n

Preparation<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch05917001.jpg\"\n\t\t\t\t\t
2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Letter, 1963, New York to] Oona and Charlie\/T. [Truman Capote]<\/h2>\n\n
\n
\n [1963] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Letter<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00008506, CH059<\/p>\n <\/div>\n

\n Series<\/span>\n

Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"countess_6590_64.jpg\"\n\t\t\t\t\t
1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Tippi Hedren in a scene from \"The Birds\"]<\/h2>\n\n
\n
\n [1963] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Photograph<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00029450, COUNTESS0060<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch10048001.jpg\"\n\t\t\t\t\t
37<\/div>\n\t\t\t\t <\/div>\n <\/a>\n