![\"ch10739001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch10739001.jpg\")
\n\t\t\t\t\tWhatever we did in bringing [...]\/[Jerome Epstein]<\/h2>\n\n \n \n [1957] <\/div>\n \n 18<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Treatment<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n A King in New York<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00009569, CH107<\/p>\n <\/div>\n
\n Series<\/span>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n ![](\"http:\/\/www.charliechaplinarchive.org\/skins\/chaplin\/assets\/images\/placeholder-240.png\")
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \tThe Leader's Set<\/h2>\n\n \n \n [1953-1977] <\/div>\n \n 9<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Treatment<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00315459, CH235<\/p>\n <\/div>\n
\n Series<\/span>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \tD.P. comes to U. S. A. At the immigration [...]\/[Charles Chaplin]<\/h2>\n\n \n \n [1952] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Treatment<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00011219, CH109<\/p>\n <\/div>\n
\n Series<\/span>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \tExercise feeling, for it is born [...]\/[Charles Chaplin]<\/h2>\n\n \n \n [1952] <\/div>\n \n 3<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Treatment<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00011223, CH109<\/p>\n <\/div>\n
\n Series<\/span>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \tHe is very lonely and has a hard time trying to make things go in America [...]\/[Charles Chaplin]<\/h2>\n\n \n \n [1952] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Treatment<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00016560, CH073<\/p>\n <\/div>\n
\n Series<\/span>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \tIn the hurry and confusion [...]\/[Charles Chaplin]<\/h2>\n\n \n \n [1952] <\/div>\n \n 3<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Treatment<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00011218, CH109<\/p>\n <\/div>\n
\n Series<\/span>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch10962001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch10962001.jpg\")
\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \tNotes on business\/[Charles Chaplin]<\/h2>\n\n \n \n [1952] <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Treatment<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Limelight<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00011234, CH109<\/p>\n <\/div>\n
\n Series<\/span>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \t\"Old Chicago\" by Konrad Bercovici<\/h2>\n\n \n \n 1947\/04\/18 <\/div>\n \n 43<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Treatment<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Great Dictator<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCIN0000217, CH235<\/p>\n <\/div>\n
\n Series<\/span>\n Legal Miscellaneous | Preparation<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \tBy her first husband [...]\/[Charles Chaplin]<\/h2>\n\n \n \n [1940] <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Treatment<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00011310, CH109<\/p>\n <\/div>\n
\n Series<\/span>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \tOttoman Shifty, the great financier [...]\/[Charles Chaplin]<\/h2>\n\n \n \n [1940] <\/div>\n \n 22<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Treatment<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00011311, CH110<\/p>\n <\/div>\n
\n Series<\/span>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \tWhen John Hays, the son of a wealthy Wall Street Banker [...]\/[Charles Chaplin]<\/h2>\n\n \n \n [1940] <\/div>\n \n 22<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Treatment<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00011312, CH110<\/p>\n <\/div>\n
\n Series<\/span>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \tLet\u0092s begin again [...]\/[Charles Chaplin]<\/h2>\n\n \n \n [1937] <\/div>\n \n 0<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Treatment<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00016518<\/p>\n <\/div>\n
\n Series<\/span>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \tSome story notes dictated by C.C. to C. Hunter : 1937 July 19<\/h2>\n\n \n \n 1937 <\/div>\n \n 8<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Treatment<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00004845, CH003<\/p>\n <\/div>\n
\n Series<\/span>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t
18<\/p>\n <\/div>\n <\/div>\n
Treatment<\/p>\n <\/div>\n
A King in New York<\/p>\n <\/div>\n
ECCI00009569, CH107<\/p>\n <\/div>\n
Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
Content reserved<\/p>\n 9<\/p>\n <\/div>\n <\/div>\n Treatment<\/p>\n <\/div>\n ECCI00315459, CH235<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 1<\/p>\n <\/div>\n <\/div>\n Treatment<\/p>\n <\/div>\n ECCI00011219, CH109<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 3<\/p>\n <\/div>\n <\/div>\n Treatment<\/p>\n <\/div>\n ECCI00011223, CH109<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 2<\/p>\n <\/div>\n <\/div>\n Treatment<\/p>\n <\/div>\n ECCI00016560, CH073<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 3<\/p>\n <\/div>\n <\/div>\n Treatment<\/p>\n <\/div>\n ECCI00011218, CH109<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t 2<\/p>\n <\/div>\n <\/div>\n Treatment<\/p>\n <\/div>\n Limelight<\/p>\n <\/div>\n ECCI00011234, CH109<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 43<\/p>\n <\/div>\n <\/div>\n Treatment<\/p>\n <\/div>\n The Great Dictator<\/p>\n <\/div>\n ECCIN0000217, CH235<\/p>\n <\/div>\n Legal Miscellaneous | Preparation<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 1<\/p>\n <\/div>\n <\/div>\n Treatment<\/p>\n <\/div>\n ECCI00011310, CH109<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 22<\/p>\n <\/div>\n <\/div>\n Treatment<\/p>\n <\/div>\n ECCI00011311, CH110<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 22<\/p>\n <\/div>\n <\/div>\n Treatment<\/p>\n <\/div>\n ECCI00011312, CH110<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 0<\/p>\n <\/div>\n <\/div>\n Treatment<\/p>\n <\/div>\n ECCI00016518<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 8<\/p>\n <\/div>\n <\/div>\n Treatment<\/p>\n <\/div>\n ECCI00004845, CH003<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n The Leader's Set<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n D.P. comes to U. S. A. At the immigration [...]\/[Charles Chaplin]<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n Exercise feeling, for it is born [...]\/[Charles Chaplin]<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n He is very lonely and has a hard time trying to make things go in America [...]\/[Charles Chaplin]<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n In the hurry and confusion [...]\/[Charles Chaplin]<\/h2>\n\n
\n\t\t\t\t\tNotes on business\/[Charles Chaplin]<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \"Old Chicago\" by Konrad Bercovici<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n By her first husband [...]\/[Charles Chaplin]<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n Ottoman Shifty, the great financier [...]\/[Charles Chaplin]<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n When John Hays, the son of a wealthy Wall Street Banker [...]\/[Charles Chaplin]<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n Let\u0092s begin again [...]\/[Charles Chaplin]<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n Some story notes dictated by C.C. to C. Hunter : 1937 July 19<\/h2>\n\n