{"load_more":true,"html":"\t
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5<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Goodbye\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1965-1966] <\/div>\n
\n

5<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Treatment<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00029758, CH187<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Husband follows\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1965-1966] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Treatment<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00029759, CH187<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Lunch sequence\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1965-1966] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Treatment<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00029748, CH187<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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22<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Og and Harvey walking around the deck\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1965-1966] <\/div>\n
\n

22<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Treatment<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00029747, CH187<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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13<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Ogden Mears, the wall street plunger, takes a vacation\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1965-1966] <\/div>\n
\n

13<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Treatment<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00029750, CH187<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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17<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

That night Harvey endeavours to cheer up his friend but Ogden is morose\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1965-1966] <\/div>\n
\n

17<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Treatment<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00029751, CH187<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Boat suggestion\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1966] <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Treatment<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00011105, CH109<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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6<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Excuse me, may I have this dance\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1966] <\/div>\n
\n

6<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Treatment<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00011108, CH109<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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13<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Notes for The Woman of Shanghai\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1966] <\/div>\n
\n

13<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Treatment<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00011073, CH109<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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11<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Ogden is an ambitious [...] yet at the same time very human\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1966] <\/div>\n
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11<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Treatment<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00011076, CH109<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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She makes herself busy sorting out his shirts [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1966] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Treatment<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00011107, CH109<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Suggestion for white russian\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1966] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Treatment<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00011106, CH109<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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66<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

\"The Hand\"<\/h2>\n\n
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\n [1947\/03] <\/div>\n
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66<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Treatment<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCIN0000481, CH236<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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\n \t\n\t\t\t\t\t
\n

Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Suicide\/[Charles Chaplin]<\/h2>\n\n
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\n [1927-1938] <\/div>\n
\n

14<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Treatment<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00011240, CH109<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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\n \t\n\t\t\t\t\t
\n

Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Not so long ago, before the [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1931-1942] <\/div>\n
\n

5<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Treatment<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Bali Story<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00017294, CH154<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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\n \t\n\t\t\t\t\t
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Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

After the return of N. to the ballet there are a series of montage shots [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
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9<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Treatment<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00029062, CH220<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

After the return of T to the ballet [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1933-1952] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Treatment<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Tamerlain<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00029061, CH220<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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