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17<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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Story : White Lily\/by Major R.V.C. Bodley<\/h2>\n\n
\n
\n [1930-1950] <\/div>\n
\n

17<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Scenario<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00009404, CH003<\/p>\n <\/div>\n

\n Series<\/span>\n

Preparation<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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20<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

White Lily\/by Major R.V.C. Bodley<\/h2>\n\n
\n
\n [1930-1950] <\/div>\n
\n

20<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Scenario<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00314849, CH003<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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16<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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[...] and, as they make for the cabins, [...]\/[Major Bodley]<\/h2>\n\n
\n
\n [1930-1940] <\/div>\n
\n

16<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Scenario<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00314864, CH003<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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19<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Brains and Sand\/Edgar Neville<\/h2>\n\n
\n
\n [1930-1940] <\/div>\n
\n

19<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Scenario<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00314882, CH003<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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9<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

The Lucky Strike : a play in two scenes\/by Charles Chaplin<\/h2>\n\n
\n
\n [1923] <\/div>\n
\n

9<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Scenario<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Lucky Strike<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00009426, CH003<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Syd Chaplin In Africa\/[Sydney Chaplin]<\/h2>\n\n
\n
\n [1920-1930] <\/div>\n
\n

7<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Scenario<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00315019, CH023<\/p>\n <\/div>\n

\n Series<\/span>\n

Sydney Chaplin Collection<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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16<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

But She Would Not Be A Lady\/By H.G. Wells<\/h2>\n\n
\n
\n [1890-1946] <\/div>\n
\n

16<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Scenario<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00314848, CH003<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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\n \t\n\t\t\t\t\t
\n

Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Picture Idea (Starring Sydney) ; Power Line\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1930-1940] <\/div>\n
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0<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Scenario<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00315466<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

An immigrant arrives in America [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1952] <\/div>\n
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2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Scenario<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00016567, CH003<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Charlie comes to America as an immigrant [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1952] <\/div>\n
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3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Scenario<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00011222, CH109<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

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Shortest Possible Outline of Story\/[by James Agee]<\/h2>\n\n
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\n [1948] <\/div>\n
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94<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Scenario<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00314844, CH003<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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\n

Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

[Notes] A grand old fellow aristocrat [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1940] <\/div>\n
\n

4<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Scenario<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Grand Old Aristocrat<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00011308, CH110<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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\n

Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Jack Osborn at forty-three was very attractive to women [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1940] <\/div>\n
\n

4<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Scenario<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00011261, CH109<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Lawrence<\/h2>\n\n
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\n [1940] <\/div>\n
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15<\/p>\n <\/div>\n <\/div>\n

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\n
\n Type<\/span>\n

Scenario<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00004854, CH038<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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\n \t\n\t\t\t\t\t
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Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Notes<\/h2>\n\n
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\n [1940] <\/div>\n
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3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Scenario<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00004841, CH038<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Notes\/[Charles Chaplin]<\/h2>\n\n
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\n [1940] <\/div>\n
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3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Scenario<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00011241, CH109<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

But She Would Not Be a Lady\/[H.G. Wells]<\/h2>\n\n
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\n [1936-1946] <\/div>\n
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9<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Scenario<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00004840, CH038<\/p>\n <\/div>\n