Content reserved<\/p>\n 9<\/p>\n <\/div>\n <\/div>\n Scenario<\/p>\n <\/div>\n ECCI00004840, CH038<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 3<\/p>\n <\/div>\n <\/div>\n Scenario<\/p>\n <\/div>\n ECCI00011242, CH109<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 1<\/p>\n <\/div>\n <\/div>\n Scenario<\/p>\n <\/div>\n ECCI00011244, CH109<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 2<\/p>\n <\/div>\n <\/div>\n Scenario<\/p>\n <\/div>\n ECCI00011254, CH109<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 6<\/p>\n <\/div>\n <\/div>\n Scenario<\/p>\n <\/div>\n Regency<\/p>\n <\/div>\n ECCI00017515, CH072<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 36<\/p>\n <\/div>\n <\/div>\n Scenario<\/p>\n <\/div>\n ECCI00314879, CH003<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 27<\/p>\n <\/div>\n <\/div>\n Scenario<\/p>\n <\/div>\n A Countess from Hong Kong<\/p>\n <\/div>\n ECCI00017506, CH154<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 13<\/p>\n <\/div>\n <\/div>\n Scenario<\/p>\n <\/div>\n Regency<\/p>\n <\/div>\n ECCI00017513, CH072<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 1<\/p>\n <\/div>\n <\/div>\n Scenario<\/p>\n <\/div>\n Stowaway<\/p>\n <\/div>\n ECCI00016523, CH072<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t 1<\/p>\n <\/div>\n <\/div>\n Scenario<\/p>\n <\/div>\n A Countess from Hong Kong<\/p>\n <\/div>\n ECCI00011133, CH109<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 6<\/p>\n <\/div>\n <\/div>\n Scenario<\/p>\n <\/div>\n ECCI00004843, CH003<\/p>\n <\/div>\n Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t![](\"http:\/\/www.charliechaplinarchive.org\/skins\/chaplin\/assets\/images\/placeholder-240.png\")
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n But She Would Not Be a Lady\/[H.G. Wells]<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n [Notes] A modern girl strives to gain economic freedom [...]\/[Charles Chaplin]<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n P[...] always wanted to make people over [...]\/[Charles Chaplin]<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n Paulette is the daughter of a New York [...]\/[Charles Chaplin]<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n As Regency grew, so her mind became aware that she was not like other girls her age [...]\/[Charles Chaplin]<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n Brains and Sand\/translated from the original story in Spanish by E. Neville<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n Paulette loved him [...]\/[Charles Chaplin]<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n When Regency Ann Davenport was born, her father, Sir Wilbraham Davenport cursed her [...]\/[Charles Chaplin]<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n And educating her as best as he could [...]\/[Charles Chaplin]<\/h2>\n\n
![\"ch10942c001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch10942c001.jpg\")
\n\t\t\t\t\tDiscovered that he has been murdered [...]\/[Charles Chaplin]<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n Nobody's Business : Nov. 5, 1936<\/h2>\n\n
![\"ch10942b001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch10942b001.jpg\")
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