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\t\n\t\t\t\t\t\t\t\t\t\"ch00305a001.jpg\"\n\t\t\t\t\t
17<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t<\/span>\n\t\t\t\t

Story : White Lily\/by Major R.V.C. Bodley<\/h2>\t\t\t\n\t\t\t\t [1930-1950] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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20<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
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White Lily\/by Major R.V.C. Bodley<\/h2>\t\t\t\n\t\t\t\t [1930-1950] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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16<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t<\/span>\n\t\t\t\t

[...] and, as they make for the cabins, [...]\/[Major Bodley]<\/h2>\t\t\t\n\t\t\t\t [1930-1940] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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19<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t<\/span>\n\t\t\t\t

Brains and Sand\/Edgar Neville<\/h2>\t\t\t\n\t\t\t\t [1930-1940] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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9<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tThe Lucky Strike<\/span>\n\t\t\t\t

The Lucky Strike : a play in two scenes\/by Charles Chaplin<\/h2>\t\t\t\n\t\t\t\t [1923] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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7<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
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Syd Chaplin In Africa\/[Sydney Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1920-1930] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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16<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
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But She Would Not Be A Lady\/By H.G. Wells<\/h2>\t\t\t\n\t\t\t\t [1890-1946] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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\n

Content reserved<\/p>\n \n <\/div> \n\t\t\t\t\t\t\t<\/div>\n\t\t\t

\n\t\t\t\t<\/span>\n\t\t\t\t

Picture Idea (Starring Sydney) ; Power Line\/[Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1930-1940] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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Content reserved<\/p>\n \n <\/div> \n\t\t\t\t\t\t\t<\/div>\n\t\t\t

\n\t\t\t\t<\/span>\n\t\t\t\t

An immigrant arrives in America [...]\/[Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1952] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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\n

Content reserved<\/p>\n \n <\/div> \n\t\t\t\t\t\t\t<\/div>\n\t\t\t

\n\t\t\t\t<\/span>\n\t\t\t\t

Charlie comes to America as an immigrant [...]\/[Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1952] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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\n

Content reserved<\/p>\n \n <\/div> \n\t\t\t\t\t\t\t<\/div>\n\t\t\t

\n\t\t\t\t<\/span>\n\t\t\t\t

Shortest Possible Outline of Story\/[by James Agee]<\/h2>\t\t\t\n\t\t\t\t [1948] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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\n

Content reserved<\/p>\n \n <\/div> \n\t\t\t\t\t\t\t<\/div>\n\t\t\t

\n\t\t\t\tGrand Old Aristocrat<\/span>\n\t\t\t\t

[Notes] A grand old fellow aristocrat [...]\/[Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1940] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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\n

Content reserved<\/p>\n \n <\/div> \n\t\t\t\t\t\t\t<\/div>\n\t\t\t

\n\t\t\t\t<\/span>\n\t\t\t\t

Jack Osborn at forty-three was very attractive to women [...]\/[Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1940] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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Content reserved<\/p>\n \n <\/div> \n\t\t\t\t\t\t\t<\/div>\n\t\t\t

\n\t\t\t\t<\/span>\n\t\t\t\t

Lawrence<\/h2>\t\t\t\n\t\t\t\t [1940] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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\n

Content reserved<\/p>\n \n <\/div> \n\t\t\t\t\t\t\t<\/div>\n\t\t\t

\n\t\t\t\t<\/span>\n\t\t\t\t

Notes<\/h2>\t\t\t\n\t\t\t\t [1940] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t