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Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 2<\/p>\n <\/div>\n <\/div>\n Report<\/p>\n <\/div>\n The Freak<\/p>\n <\/div>\n ECCI00316101, CH000<\/p>\n <\/div>\n Preparation<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t 1<\/p>\n <\/div>\n <\/div>\n Report<\/p>\n <\/div>\n City Lights<\/p>\n <\/div>\n ECCI00023473, CH219<\/p>\n <\/div>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 13<\/p>\n <\/div>\n <\/div>\n Report<\/p>\n <\/div>\n The Circus<\/p>\n <\/div>\n ECCI00313647, CH054<\/p>\n <\/div>\n Reissue<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t 1<\/p>\n <\/div>\n <\/div>\n Report<\/p>\n <\/div>\n ECCI00019318, CH085<\/p>\n <\/div>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t 1<\/p>\n <\/div>\n <\/div>\n Report<\/p>\n <\/div>\n Shoulder Arms<\/p>\n <\/div>\n ECCI00020274, CH205<\/p>\n <\/div>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t 3<\/p>\n <\/div>\n <\/div>\n Report<\/p>\n <\/div>\n A Countess from Hong Kong<\/p>\n <\/div>\n ECCI00010836, CH102<\/p>\n <\/div>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t 2<\/p>\n <\/div>\n <\/div>\n Report<\/p>\n <\/div>\n A Countess from Hong Kong<\/p>\n <\/div>\n ECCI00010866, CH103<\/p>\n <\/div>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t 2<\/p>\n <\/div>\n <\/div>\n Report<\/p>\n <\/div>\n A Countess from Hong Kong<\/p>\n <\/div>\n ECCI00010835, CH102<\/p>\n <\/div>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n 3<\/p>\n <\/div>\n <\/div>\n Report<\/p>\n <\/div>\n ECCI00014959, CH142<\/p>\n <\/div>\n Writings and Publications<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t 2<\/p>\n <\/div>\n <\/div>\n Report<\/p>\n <\/div>\n A Countess from Hong Kong<\/p>\n <\/div>\n ECCI00010838, CH102<\/p>\n <\/div>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t 2<\/p>\n <\/div>\n <\/div>\n Report<\/p>\n <\/div>\n A Countess from Hong Kong<\/p>\n <\/div>\n ECCI00010839, CH102<\/p>\n <\/div>\n Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\tMeeting of March 31st, 1969 between Mr. Chaplin, Mr. Epstein and Special Effects Men<\/h2>\n\n
Stills sent to Bourne London (Mr. Taylor) on December 15th, 1969<\/h2>\n\n
The Circus : statistics<\/h2>\n\n
Distribution n. 152\/The Performing Right Society Ltd<\/h2>\n\n
Music<\/h2>\n\n
Summary of financing and expenditure ; Statement of receipts and payments : n. 45, week to 30 Dec. 66\/E. Shepherd<\/h2>\n\n
Production ledger balances and final cost : 4th Jan. 1967\/E. Shepherd ; Universal Pictures Limited<\/h2>\n\n
Summary of financing and expenditure ; Statement of receipts and payments : n. 46, week to 6 Jan. 67\/E. Shepherd<\/h2>\n\n
Account\/The Bodley Head<\/h2>\n\n
Summary of financing and expenditure ; Statement of receipts and payments : n. 44, week to 23 Dec. 66\/E. Shepherd<\/h2>\n\n
Summary of financing and expenditure ; Statement of receipts and payments : n. 43, week to 16th Dec. 66\/E. Shepherd<\/h2>\n\n