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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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Mr. Theodore Dreiser<\/h2>\n\n
\n
\n 1926\/06\/15 <\/div>\n
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2<\/p>\n <\/div>\n <\/div>\n

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\n Type<\/span>\n

Report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Woman of Paris<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00008587, CH059<\/p>\n <\/div>\n

\n Series<\/span>\n

Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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Copy of Bill received from Bess Schlank [Lita Grey clothing expenses]<\/h2>\n\n
\n
\n 1926\/12\/01 <\/div>\n
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1<\/p>\n <\/div>\n <\/div>\n

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\n Type<\/span>\n

Report<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00012298, CH120<\/p>\n <\/div>\n

\n Series<\/span>\n

Legal proceedings<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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Expenses incurred in entertaining the boys of the Training Ship \"Exmouth\"\/The Green Man<\/h2>\n\n
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\n 1927\/04\/29 <\/div>\n
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1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Report<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00014936, CH142<\/p>\n <\/div>\n

\n Series<\/span>\n

Sydney Chaplin Collection<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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Opening as of May 2, 1929 ; Story outline, May 2, 1929<\/h2>\n\n
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\n 1929\/05\/02 <\/div>\n
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1<\/p>\n <\/div>\n <\/div>\n

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\n Type<\/span>\n

Report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

City Lights<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00031100, CH235<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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6<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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City Lights : Los Angeles Theatre Returns<\/h2>\n\n
\n
\n 1931 <\/div>\n
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6<\/p>\n <\/div>\n <\/div>\n

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\n Type<\/span>\n

Report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

City Lights<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00004904, CH031<\/p>\n <\/div>\n

\n Series<\/span>\n

Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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13<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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Music Cue Sheet Modern Times\/United Artist Studio Corp. Ltd<\/h2>\n\n
\n
\n [1936] <\/div>\n
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13<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Modern Times<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00023260, CH221<\/p>\n <\/div>\n

\n Series<\/span>\n

Distribution and promotion | Music<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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Charlie Chaplin in Modern Times, United Artists Release : Reviewed January 6, 1936<\/h2>\n\n
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\n 1936\/01\/06 <\/div>\n
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1<\/p>\n <\/div>\n <\/div>\n

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\n Type<\/span>\n

Report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Modern Times<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00031090, CH235<\/p>\n <\/div>\n

\n Series<\/span>\n

Press<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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6<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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[Music cue sheet] The Great Dictator\/Charles Chaplin Film Corporation<\/h2>\n\n
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\n [1940] <\/div>\n
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6<\/p>\n <\/div>\n <\/div>\n

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\n Type<\/span>\n

Report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Great Dictator<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00023252, CH221<\/p>\n <\/div>\n

\n Series<\/span>\n

Distribution and promotion | Music | Music<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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Following copyright cards sent to Loyd Wright July 1, 1940 for transfer from name Charles Chaplin to Charles Chaplin Film Corporation <\/h2>\n\n
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\n [1940] <\/div>\n
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3<\/p>\n <\/div>\n <\/div>\n

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Report<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00015353, CH048<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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Confidential preliminary report on senator William Langer's Background and Associates with reference to his possible motives in introducing legislation against Mr. Chaplin<\/h2>\n\n
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\n [1945] <\/div>\n
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8<\/p>\n <\/div>\n <\/div>\n

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Report<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00012530, CH124<\/p>\n <\/div>\n

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Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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Fifth report on persons and organizations responsible for senator Langer's introduction of a bill to deport Charles Chaplin<\/h2>\n\n
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\n 1945\/03\/04 <\/div>\n
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6<\/p>\n <\/div>\n <\/div>\n

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Report<\/p>\n <\/div>\n

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ECCI00012534, CH124<\/p>\n <\/div>\n

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Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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Fourth report on persons and organizations responsible for senator Langer\u0092s introduction of a bill to deport Charles Chaplin<\/h2>\n\n
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\n 1945\/03\/04 <\/div>\n
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7<\/p>\n <\/div>\n <\/div>\n

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Report<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00012533, CH124<\/p>\n <\/div>\n

\n Series<\/span>\n

Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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[Note of expenses] 1946 March 19 to Signet Films Production<\/h2>\n\n
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\n 1946\/03\/19 <\/div>\n
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1<\/p>\n <\/div>\n <\/div>\n

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ECCI00004948, CH040<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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[Chaplin Studio vaults] Inventory as of April 1, 1946 from list submitted by R. Totheroh<\/h2>\n\n
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\n 1946\/04\/01 <\/div>\n
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38<\/p>\n <\/div>\n <\/div>\n

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\n Type<\/span>\n

Report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Great Dictator<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00029291, CH233<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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[Unsigned letter - Report of the New York press conference on Monsieur Verdoux] Dear Irving<\/h2>\n\n
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\n 1947\/04\/12 <\/div>\n
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Report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Monsieur Verdoux<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00313001, CH023<\/p>\n <\/div>\n

\n Series<\/span>\n

Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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[Correspondence between Price Waterhouse and Co. and Charles Chaplin]<\/h2>\n\n
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\n 1948\/03\/31 <\/div>\n
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3<\/p>\n <\/div>\n <\/div>\n

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\n Type<\/span>\n

Letter | Report<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCIN0000269, CH236<\/p>\n <\/div>\n

\n Series<\/span>\n

Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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87<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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[Inventario materiale nei Chaplin Studios]\/Wheeler Dryden<\/h2>\n\n
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\n [1950] <\/div>\n
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87<\/p>\n <\/div>\n <\/div>\n

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\n Type<\/span>\n

Report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Woman of Paris<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00029296, CH234<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t