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214<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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[Footlights\/Charles Chaplin]<\/h2>\n\n
\n
\n [1951] <\/div>\n
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214<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Limelight<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00312563, CHM01<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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218<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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[Footlights\/Charles Chaplin]<\/h2>\n\n
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\n [1951] <\/div>\n
\n

218<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Limelight<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00312565, CHM01<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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205<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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Footlights\/by Charles Chaplin<\/h2>\n\n
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\n [1951] <\/div>\n
\n

205<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Limelight<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00312543, CHM00<\/p>\n <\/div>\n

\n Series<\/span>\n

Preparation<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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152<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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Footlights\/by Charles Chaplin<\/h2>\n\n
\n
\n [1951] <\/div>\n
\n

152<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Limelight<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00312544, CHM01<\/p>\n <\/div>\n

\n Series<\/span>\n

Preparation<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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131<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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Footlights\/by Charles Chaplin<\/h2>\n\n
\n
\n [1951] <\/div>\n
\n

131<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Limelight<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00312545, CHM00<\/p>\n <\/div>\n

\n Series<\/span>\n

Preparation<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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146<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Footlights\/by Charles Chaplin<\/h2>\n\n
\n
\n [1951] <\/div>\n
\n

146<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Limelight<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00312559, CHM01<\/p>\n <\/div>\n

\n Series<\/span>\n

Preparation<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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6<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

The Modern Cinderella\/[Sydney Chaplin]<\/h2>\n\n
\n
\n [1950] <\/div>\n
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6<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00314993, CH023<\/p>\n <\/div>\n

\n Series<\/span>\n

Sydney Chaplin Collection<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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20<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Hollywood Chaplin 1\/by Henry Gris<\/h2>\n\n
\n
\n [1944] <\/div>\n
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20<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Limelight<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00030190, CH232<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Is lush with wildflowers [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1941-1942] <\/div>\n
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1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Adaptation | Narrative<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Shadow and Substance<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00016526, CH072<\/p>\n <\/div>\n

\n Series<\/span>\n

Preparation<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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[Nota biografica sugli esordi di Charles Chaplin]<\/h2>\n\n
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\n 1940-1970 <\/div>\n
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4<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00031007, CH232<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

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As I entered the house [...]\/[Charles Chaplin]<\/h2>\n\n
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\n [1940] <\/div>\n
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3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00011250, CH109<\/p>\n <\/div>\n

\n Series<\/span>\n

Writings and Publications<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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45<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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Landru : The Bluebeard of France : from the book Great Stories of Real Life Published by Jonathan Cape and Harrison Smith\/by William Le Queux<\/h2>\n\n
\n
\n [1940] <\/div>\n
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45<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Monsieur Verdoux<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00313611, CH020<\/p>\n <\/div>\n

\n Series<\/span>\n

Preparation<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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\n \t

Mr. Cooper Smith had a lawyer's pallor [...]\/[Charles Chaplin]<\/h2>\n\n
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\n [1940] <\/div>\n
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1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00011249, CH109<\/p>\n <\/div>\n

\n Series<\/span>\n

Writings and Publications<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Renaldo and Eron had coffee on the veranda alone [...]\/[Charles Chaplin]<\/h2>\n\n
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\n [1940] <\/div>\n
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3<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00011248, CH109<\/p>\n <\/div>\n

\n Series<\/span>\n

Writings and Publications<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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The Ornithologist<\/h2>\n\n
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\n [1940] <\/div>\n
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36<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00004842, CH038<\/p>\n <\/div>\n

\n Series<\/span>\n

Writings and Publications<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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6<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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Biography of Charles Chaplin<\/h2>\n\n
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\n [1939] <\/div>\n
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6<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00019394, CH083<\/p>\n <\/div>\n

\n Series<\/span>\n

Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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12<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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Short History of Charlie Chaplin, printed in U.S.A. 1939<\/h2>\n\n
\n
\n 1939 <\/div>\n
\n

12<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n