{"load_more":true,"html":"\t
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45<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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Landru : The Bluebeard of France : from the book Great Stories of Real Life Published by Jonathan Cape and Harrison Smith\/by William Le Queux<\/h2>\n\n
\n
\n [1940] <\/div>\n
\n

45<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Monsieur Verdoux<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00313611, CH020<\/p>\n <\/div>\n

\n Series<\/span>\n

Preparation<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Nota biografica sugli esordi di Charles Chaplin]<\/h2>\n\n
\n
\n 1940-1970 <\/div>\n
\n

4<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00031007, CH232<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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20<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Hollywood Chaplin 1\/by Henry Gris<\/h2>\n\n
\n
\n [1944] <\/div>\n
\n

20<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Limelight<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00030190, CH232<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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6<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

The Modern Cinderella\/[Sydney Chaplin]<\/h2>\n\n
\n
\n [1950] <\/div>\n
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6<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00314993, CH023<\/p>\n <\/div>\n

\n Series<\/span>\n

Sydney Chaplin Collection<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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92<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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[Footlights : From When Terry Walks to End : First Version\/Charles Chaplin]<\/h2>\n\n
\n
\n [1951] <\/div>\n
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92<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Limelight<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00312546, CHM01<\/p>\n <\/div>\n

\n Series<\/span>\n

Preparation<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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75<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Footlights\/by Charles Chaplin]<\/h2>\n\n
\n
\n [1951] <\/div>\n
\n

75<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Limelight<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00312566, CHM00<\/p>\n <\/div>\n

\n Series<\/span>\n

Preparation<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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214<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Footlights\/Charles Chaplin]<\/h2>\n\n
\n
\n [1951] <\/div>\n
\n

214<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Limelight<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00312563, CHM01<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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218<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Footlights\/Charles Chaplin]<\/h2>\n\n
\n
\n [1951] <\/div>\n
\n

218<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Limelight<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00312565, CHM01<\/p>\n <\/div>\n

\n Series<\/span>\n

Screenplay<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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205<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Footlights\/by Charles Chaplin<\/h2>\n\n
\n
\n [1951] <\/div>\n
\n

205<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Limelight<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00312543, CHM00<\/p>\n <\/div>\n

\n Series<\/span>\n

Preparation<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

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152<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Footlights\/by Charles Chaplin<\/h2>\n\n
\n
\n [1951] <\/div>\n
\n

152<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Limelight<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00312544, CHM01<\/p>\n <\/div>\n

\n Series<\/span>\n

Preparation<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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131<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Footlights\/by Charles Chaplin<\/h2>\n\n
\n
\n [1951] <\/div>\n
\n

131<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Limelight<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00312545, CHM00<\/p>\n <\/div>\n

\n Series<\/span>\n

Preparation<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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146<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Footlights\/by Charles Chaplin<\/h2>\n\n
\n
\n [1951] <\/div>\n
\n

146<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Limelight<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00312559, CHM01<\/p>\n <\/div>\n

\n Series<\/span>\n

Preparation<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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Cause and Remedy : As I See It From Where I Sit\/John J. Fleck<\/h2>\n\n
\n
\n 1952 <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00005810, CH058<\/p>\n <\/div>\n

\n Series<\/span>\n

Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Do Your Duty : Stop the Fabian Movement\/[Americans for Republican Action, John J. Fleck]<\/h2>\n\n
\n
\n [1952] <\/div>\n
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2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00005866, CH058<\/p>\n <\/div>\n

\n Series<\/span>\n

Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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4<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
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Surrealism in the Rue de Rivoli : 1954 December 9\/[Charles Chaplin]<\/h2>\n\n
\n
\n 1954 <\/div>\n
\n

4<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00004850, CH038<\/p>\n <\/div>\n

\n Series<\/span>\n

Writings and Publications<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

OK. Suddenly a new musical perspective was revealed to me [...]\/[Charles Chaplin My Autobiography corrections]<\/h2>\n\n
\n
\n [1958-1964] <\/div>\n
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2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00017511, CH110<\/p>\n <\/div>\n

\n Series<\/span>\n

Writings and Publications<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Refractory and reproductive senses [...]\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1958-1964] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Narrative<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00016524, CH072<\/p>\n <\/div>\n