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214<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tLimelight<\/span>\n\t\t\t\t

[Footlights\/Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1951] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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218<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tLimelight<\/span>\n\t\t\t\t

[Footlights\/Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1951] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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205<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tLimelight<\/span>\n\t\t\t\t

Footlights\/by Charles Chaplin<\/h2>\t\t\t\n\t\t\t\t [1951] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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152<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tLimelight<\/span>\n\t\t\t\t

Footlights\/by Charles Chaplin<\/h2>\t\t\t\n\t\t\t\t [1951] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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131<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
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Footlights\/by Charles Chaplin<\/h2>\t\t\t\n\t\t\t\t [1951] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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146<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tLimelight<\/span>\n\t\t\t\t

Footlights\/by Charles Chaplin<\/h2>\t\t\t\n\t\t\t\t [1951] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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6<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t<\/span>\n\t\t\t\t

The Modern Cinderella\/[Sydney Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1950] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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20<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tLimelight<\/span>\n\t\t\t\t

Hollywood Chaplin 1\/by Henry Gris<\/h2>\t\t\t\n\t\t\t\t [1944] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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Content reserved<\/p>\n \n <\/div> \n\t\t\t\t\t\t\t<\/div>\n\t\t\t

\n\t\t\t\tShadow and Substance<\/span>\n\t\t\t\t

Is lush with wildflowers [...]\/[Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1941-1942] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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4<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\t<\/span>\n\t\t\t\t

[Nota biografica sugli esordi di Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t 1940-1970 \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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\n\t\t\t\t<\/span>\n\t\t\t\t

As I entered the house [...]\/[Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1940] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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45<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t
\n\t\t\t\tMonsieur Verdoux<\/span>\n\t\t\t\t

Landru : The Bluebeard of France : from the book Great Stories of Real Life Published by Jonathan Cape and Harrison Smith\/by William Le Queux<\/h2>\t\t\t\n\t\t\t\t [1940] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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Content reserved<\/p>\n \n <\/div> \n\t\t\t\t\t\t\t<\/div>\n\t\t\t

\n\t\t\t\t<\/span>\n\t\t\t\t

Mr. Cooper Smith had a lawyer's pallor [...]\/[Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1940] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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Content reserved<\/p>\n \n <\/div> \n\t\t\t\t\t\t\t<\/div>\n\t\t\t

\n\t\t\t\t<\/span>\n\t\t\t\t

Renaldo and Eron had coffee on the veranda alone [...]\/[Charles Chaplin]<\/h2>\t\t\t\n\t\t\t\t [1940] \t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
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Content reserved<\/p>\n \n <\/div> \n\t\t\t\t\t\t\t<\/div>\n\t\t\t