{"load_more":false,"html":"\t
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61<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

War : sequence \"A\" ; Sound scene report\/[Charles Chaplin ; Evelyn Earle]<\/h2>\n\n
\n
\n 1940\/06 <\/div>\n
\n

61<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Music continuity | Notes<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Great Dictator<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00312681, CHM13<\/p>\n <\/div>\n

\n Series<\/span>\n

Post-production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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68<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Music Cutting Notes on The Gold Rush ; Music Recording Notes ; Description of Music<\/h2>\n\n
\n
\n 1941\/10\/30-1941\/12\/06 <\/div>\n
\n

68<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Music continuity<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00313859, CH040<\/p>\n <\/div>\n

\n Series<\/span>\n

Reissue<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch0401001.jpg\"\n\t\t\t\t\t
21<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

The Gold Rush : Description of music for reissue<\/h2>\n\n
\n
\n [1942] <\/div>\n
\n

21<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Music continuity<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00313848, CH040<\/p>\n <\/div>\n

\n Series<\/span>\n

Reissue<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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94<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Cue sheets : office<\/h2>\n\n
\n
\n 1947\/01\/09-1947\/01\/17 <\/div>\n
\n

94<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Music continuity<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Monsieur Verdoux<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00313357, CHM18<\/p>\n <\/div>\n

\n Series<\/span>\n

Post-production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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\n \t\t\t\t\t\"ch209001.jpg\"\n\t\t\t\t\t
66<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Cue sheets<\/h2>\n\n
\n
\n 1947\/01\/14-1947\/01\/16 <\/div>\n
\n

66<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Music continuity<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Monsieur Verdoux<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00313271, CH209<\/p>\n <\/div>\n

\n Series<\/span>\n

Post-production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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\n \t\t\t\t\t\"ch0271001.jpg\"\n\t\t\t\t\t
200<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Vocal Swtnrs & (orch) Piano 4th Prescore : 11-6-51<\/h2>\n\n
\n
\n 1950\/10\/06-1952\/07\/31 <\/div>\n
\n

200<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Music continuity<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Limelight<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00312865, CH027<\/p>\n <\/div>\n

\n Series<\/span>\n

Post-production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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263<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

[Limelight : picture ; track-effects ; music\/Charlie Chaplin]<\/h2>\n\n
\n
\n [1952] <\/div>\n
\n

263<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Music continuity<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Limelight<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00312521, CHM01<\/p>\n <\/div>\n

\n Series<\/span>\n

Post-production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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\n \t\t\t\t\t\"ch0270001.jpg\"\n\t\t\t\t\t
168<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Limelight : cutting, sound, music and music notes ; First post-score : May 28, 1952\/[Charlie Chaplin]<\/h2>\n\n
\n
\n 1952 <\/div>\n
\n

168<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Music continuity<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Limelight<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00312463, CH027<\/p>\n <\/div>\n

\n Series<\/span>\n

Post-production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

King in New York : List of picture and optical sound negative being held\/Attica Film Company<\/h2>\n\n
\n
\n 1957 <\/div>\n
\n

7<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Music continuity<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A King in New York<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00010321, CH096<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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11<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

King in New York : Master magnetics held ; Picture and optical sound spares ; Magnetic spares ; Magnetic music ; Music optical : 29 March 1957\/Attica Film Company Shepperton Studios<\/h2>\n\n
\n
\n 1957 <\/div>\n
\n

11<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Music continuity<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A King in New York<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00010319, CH096<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Music breakdown : Dog's Life<\/h2>\n\n
\n
\n 1959\/07 <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Music continuity<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Dog's Life<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00315338, CH025<\/p>\n <\/div>\n

\n Series<\/span>\n

Post-production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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6<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

The Chaplin Revue : music breakdown : July 1959<\/h2>\n\n
\n
\n 1959\/07 <\/div>\n
\n

6<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Music continuity<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Chaplin Revue<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00315060, CH023<\/p>\n <\/div>\n

\n Series<\/span>\n

Post-production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
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1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

On music and sound effects\/[Jerome Epstein]<\/h2>\n\n
\n
\n [1966] <\/div>\n
\n

1<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Music continuity<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00010678, CH099<\/p>\n <\/div>\n

\n Series<\/span>\n

Post-production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

A Countess from Hong Kong : Mr.Chaplin\u0092s music notes\/[Jerome Epstein]<\/h2>\n\n
\n
\n 1966\/10\/10 <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Music continuity<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Countess from Hong Kong<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00010679, CH099<\/p>\n <\/div>\n

\n Series<\/span>\n

Post-production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
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2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

The Circus : Music Cue Sheets\/[Charles Chaplin]<\/h2>\n\n
\n
\n [1970] <\/div>\n