{"load_more":true,"html":"\t
\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"chm160001.jpg\"\n\t\t\t\t\t
354<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

The Circus\/[Charles Chaplin]<\/h2>\n\n
\n
\n 1926\/01\/13-1970\/01\/01-1927\/11\/14 <\/div>\n
\n

354<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Daily production report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Circus<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00313384, CHM16<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch00168001.jpg\"\n\t\t\t\t\t
88<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Daily Production Report\/Chas. B. Hammond<\/h2>\n\n
\n
\n [1926] <\/div>\n
\n

88<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Daily production report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Woman of the Sea<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00009455, CH001<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Scene Plot [Second part]<\/h2>\n\n
\n
\n [1926] <\/div>\n
\n

306<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Daily production report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Woman of the Sea<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00009456, CH044<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\n\t\t\t\t\t
\n

Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n

\n \t

Scene Plot [Third part]<\/h2>\n\n
\n
\n [1926] <\/div>\n
\n

298<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Daily production report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Woman of the Sea<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00009457, CH044<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"chm161001.jpg\"\n\t\t\t\t\t
299<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Daily production report\/Charles Chaplin Film Corporation ; Della E. Steele<\/h2>\n\n
\n
\n 1925\/11\/02-1926\/12\/31 <\/div>\n
\n

299<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Daily production report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Circus<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00313386, CHM16<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch00555001.jpg\"\n\t\t\t\t\t
496<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Daily Production Report\/Charles Chaplin Film Corporation ; Della E. Steele<\/h2>\n\n
\n
\n 1925\/11\/02-1926\/07\/31 <\/div>\n
\n

496<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Daily production report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Circus<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00313544, CH005<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch0414001.jpg\"\n\t\t\t\t\t
297<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

\"Gold Rush\"\/Produced by Charles Spencer Chaplin<\/h2>\n\n
\n
\n 1924\/02\/08-1925\/05\/14 <\/div>\n
\n

297<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Daily production report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00313695, CH041<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch1313001.jpg\"\n\t\t\t\t\t
510<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Daily Production Report\/Charles Chaplin Film Co. ; Kathleen Pryor ; Della E. Steele<\/h2>\n\n
\n
\n 1923\/12\/29-1925\/10\/31 <\/div>\n
\n

510<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Daily production report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Gold Rush<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00313697, CH131<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch1450001.jpg\"\n\t\t\t\t\t
2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Daily Production Report\/Regent Film Co. ; Eddie Sutherland<\/h2>\n\n
\n
\n 1922\/11\/11-1922\/11\/25 <\/div>\n
\n

2<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Daily production report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

A Woman of Paris<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00313953, CH145<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch1415001.jpg\"\n\t\t\t\t\t
18<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Daily report sheets The Professor\/Charlie Chaplin Film Co. ; Carlyle R. Robinson ; Eddie Sutherland ; Alfred Reeves<\/h2>\n\n
\n
\n 1922\/07\/22-1922\/11\/11 <\/div>\n
\n

18<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Daily production report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Professor<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00313939, CH141<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch532001.jpg\"\n\t\t\t\t\t
88<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Daily production report : The Tail End\/Charlie Chaplin Film Co. ; Carlyle R. Robinson<\/h2>\n\n
\n
\n 1922\/04\/02-1922\/07\/15 <\/div>\n
\n

88<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Daily production report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Pilgrim<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00315409, CH532<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch531001.jpg\"\n\t\t\t\t\t
89<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Daily production report : The Tail End\/Charlie Chaplin Film Co. ; Carlyle R. Robinson<\/h2>\n\n
\n
\n 1922\/04\/02-1922\/07\/15 <\/div>\n
\n

89<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Daily production report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Pilgrim<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00315426, CH531<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch482bis001.jpg\"\n\t\t\t\t\t
65<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Daily Production Report\/Charlie Chaplin Film Co. ; Carlyle R. Robinson<\/h2>\n\n
\n
\n 1921\/08\/06-1922\/02\/23 <\/div>\n
\n

65<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Daily production report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Pay Day<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00315327, CH482<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch482001.jpg\"\n\t\t\t\t\t
82<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Daily Production Report\/Charlie Chaplin Film Co. ; Carlyle R. Robinson<\/h2>\n\n
\n
\n 1921\/08\/06-1922\/02\/23 <\/div>\n
\n

82<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Daily production report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

Pay Day<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00315328, CH482<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch04913001.jpg\"\n\t\t\t\t\t
130<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Daily production report\/Charlie Chaplin Film Co. ; Carlyle R. Robinson<\/h2>\n\n
\n
\n 1921\/01\/29-1921\/06\/25 <\/div>\n
\n

130<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Daily production report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Idle Class<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00004538, CH049<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch04914001.jpg\"\n\t\t\t\t\t
130<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Daily production report\/Charlie Chaplin Film Co. ; Carlyle R. Robinson<\/h2>\n\n
\n
\n 1921\/01\/29-1921\/06\/24 <\/div>\n
\n

130<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Daily production report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Idle Class<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCI00004539, CH049<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"Ch23718001\"\n\t\t\t\t\t
7<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Daily production report\/Charlie Chaplin Film Co.<\/h2>\n\n
\n
\n 1919\/09\/30-1919\/10\/06 <\/div>\n
\n

7<\/p>\n <\/div>\n <\/div>\n

\n
\n
\n Type<\/span>\n

Daily production report<\/p>\n <\/div>\n

\n Film\/Project<\/span>\n

The Professor<\/p>\n <\/div>\n

\n Record number<\/span>\n

ECCIN0000517, CH237<\/p>\n <\/div>\n

\n Series<\/span>\n

Production<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t

\n\t\t
\n\t\t\t
\n \t\t\t\t\t\"ch1312001.jpg\"\n\t\t\t\t\t
366<\/div>\n\t\t\t\t <\/div>\n <\/a>\n
\n \t

Daily production report\/Charlie Chaplin Film Co. ; Edward Biby<\/h2>\n\n