![\"ch03303001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch03303001.jpg\")
\n\t\t\t\t\t[Letter] 1931 Dec. 6th, [Nice to] Smith\/[Sydney Chaplin]<\/h2>\n\n \n \n 1931\/12\/06 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00007367, CH033<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch03309001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch03309001.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1931 Decembre 21, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1931\/12\/21 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00007373, CH033<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"CH03962a001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/CH03962a001.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 Janvier 12 [Paris to] Guy Croawell Smith\/[Boris Evelinoff]<\/h2>\n\n \n \n 1932\/01\/12 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005307, CH039<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch03975001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch03975001.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 February 17th, Paris [to] Boris Evelinoff\/Guy Crosswell Smith<\/h2>\n\n \n \n 1932\/02\/17 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005340, CH039<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch04148001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch04148001.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 February 22, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/02\/22 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005376, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch04186001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch04186001.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Telegram] 1932 June 4, Paris [to] Sydney Chaplin\/Smith<\/h2>\n\n \n \n 1932\/06\/04 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Telegram<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005468, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Violation of copyright<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch04190001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch04190001.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 August 12, Hollywood [to] Guy Croswell Smith\/AR [Alfred Reeves]<\/h2>\n\n \n \n 1932\/08\/12 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005473, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch04191001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch04191001.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 August 22nd, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/08\/22 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005474, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch04206001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch04206001.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 October 28, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/10\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005500, CH042<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch04485001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch04485001.jpg\")
\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 10th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/10 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015446, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch04490001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch04490001.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 14th, Hollywood [to] Guy Croswell Smith\/Alfred Reeves<\/h2>\n\n \n \n 1933\/03\/14 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015452, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch04494001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch04494001.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 15th [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n \n 1933\/03\/15 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015458, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch04502001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch04502001.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 28th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015468, CH045<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch04508001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch04508001.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 April 3rd, Nice [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n
1<\/p>\n <\/div>\n <\/div>\n
Letter<\/p>\n <\/div>\n
City Lights<\/p>\n <\/div>\n
ECCI00007367, CH033<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Letter] 1931 Decembre 21, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1931\/12\/21 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00007373, CH033<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 Janvier 12 [Paris to] Guy Croawell Smith\/[Boris Evelinoff]<\/h2>\n\n \n \n 1932\/01\/12 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005307, CH039<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 February 17th, Paris [to] Boris Evelinoff\/Guy Crosswell Smith<\/h2>\n\n \n \n 1932\/02\/17 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005340, CH039<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 February 22, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/02\/22 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005376, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Telegram] 1932 June 4, Paris [to] Sydney Chaplin\/Smith<\/h2>\n\n \n \n 1932\/06\/04 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Telegram<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005468, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Violation of copyright<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 August 12, Hollywood [to] Guy Croswell Smith\/AR [Alfred Reeves]<\/h2>\n\n \n \n 1932\/08\/12 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005473, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 August 22nd, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/08\/22 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005474, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 October 28, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/10\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005500, CH042<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 10th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/10 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015446, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 14th, Hollywood [to] Guy Croswell Smith\/Alfred Reeves<\/h2>\n\n \n \n 1933\/03\/14 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015452, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 15th [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n \n 1933\/03\/15 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015458, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 28th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015468, CH045<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 April 3rd, Nice [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n
1<\/p>\n <\/div>\n <\/div>\n
Letter<\/p>\n <\/div>\n
City Lights<\/p>\n <\/div>\n
ECCI00007373, CH033<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Letter] 1932 Janvier 12 [Paris to] Guy Croawell Smith\/[Boris Evelinoff]<\/h2>\n\n \n \n 1932\/01\/12 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005307, CH039<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 February 17th, Paris [to] Boris Evelinoff\/Guy Crosswell Smith<\/h2>\n\n \n \n 1932\/02\/17 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005340, CH039<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 February 22, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/02\/22 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005376, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Telegram] 1932 June 4, Paris [to] Sydney Chaplin\/Smith<\/h2>\n\n \n \n 1932\/06\/04 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Telegram<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005468, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Violation of copyright<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 August 12, Hollywood [to] Guy Croswell Smith\/AR [Alfred Reeves]<\/h2>\n\n \n \n 1932\/08\/12 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005473, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 August 22nd, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/08\/22 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005474, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 October 28, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/10\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005500, CH042<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 10th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/10 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015446, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 14th, Hollywood [to] Guy Croswell Smith\/Alfred Reeves<\/h2>\n\n \n \n 1933\/03\/14 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015452, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 15th [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n \n 1933\/03\/15 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015458, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 28th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015468, CH045<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 April 3rd, Nice [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n
1<\/p>\n <\/div>\n <\/div>\n
Letter<\/p>\n <\/div>\n
City Lights<\/p>\n <\/div>\n
ECCI00005307, CH039<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Letter] 1932 February 17th, Paris [to] Boris Evelinoff\/Guy Crosswell Smith<\/h2>\n\n \n \n 1932\/02\/17 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005340, CH039<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 February 22, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/02\/22 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005376, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Telegram] 1932 June 4, Paris [to] Sydney Chaplin\/Smith<\/h2>\n\n \n \n 1932\/06\/04 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Telegram<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005468, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Violation of copyright<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 August 12, Hollywood [to] Guy Croswell Smith\/AR [Alfred Reeves]<\/h2>\n\n \n \n 1932\/08\/12 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005473, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 August 22nd, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/08\/22 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005474, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 October 28, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/10\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005500, CH042<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 10th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/10 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015446, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 14th, Hollywood [to] Guy Croswell Smith\/Alfred Reeves<\/h2>\n\n \n \n 1933\/03\/14 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015452, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 15th [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n \n 1933\/03\/15 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015458, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 28th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015468, CH045<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 April 3rd, Nice [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n
1<\/p>\n <\/div>\n <\/div>\n
Letter<\/p>\n <\/div>\n
City Lights<\/p>\n <\/div>\n
ECCI00005340, CH039<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Letter] 1932 February 22, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/02\/22 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005376, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Telegram] 1932 June 4, Paris [to] Sydney Chaplin\/Smith<\/h2>\n\n \n \n 1932\/06\/04 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Telegram<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005468, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Violation of copyright<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 August 12, Hollywood [to] Guy Croswell Smith\/AR [Alfred Reeves]<\/h2>\n\n \n \n 1932\/08\/12 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005473, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 August 22nd, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/08\/22 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005474, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 October 28, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/10\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005500, CH042<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 10th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/10 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015446, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 14th, Hollywood [to] Guy Croswell Smith\/Alfred Reeves<\/h2>\n\n \n \n 1933\/03\/14 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015452, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 15th [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n \n 1933\/03\/15 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015458, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 28th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015468, CH045<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 April 3rd, Nice [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n
1<\/p>\n <\/div>\n <\/div>\n
Letter<\/p>\n <\/div>\n
ECCI00005376, CH041<\/p>\n <\/div>\n
Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Telegram] 1932 June 4, Paris [to] Sydney Chaplin\/Smith<\/h2>\n\n \n \n 1932\/06\/04 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Telegram<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005468, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Violation of copyright<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 August 12, Hollywood [to] Guy Croswell Smith\/AR [Alfred Reeves]<\/h2>\n\n \n \n 1932\/08\/12 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005473, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 August 22nd, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/08\/22 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005474, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 October 28, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/10\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005500, CH042<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 10th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/10 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015446, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 14th, Hollywood [to] Guy Croswell Smith\/Alfred Reeves<\/h2>\n\n \n \n 1933\/03\/14 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015452, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 15th [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n \n 1933\/03\/15 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015458, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 28th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015468, CH045<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 April 3rd, Nice [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n
1<\/p>\n <\/div>\n <\/div>\n
Telegram<\/p>\n <\/div>\n
ECCI00005468, CH041<\/p>\n <\/div>\n
Violation of copyright<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Letter] 1932 August 12, Hollywood [to] Guy Croswell Smith\/AR [Alfred Reeves]<\/h2>\n\n \n \n 1932\/08\/12 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005473, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 August 22nd, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/08\/22 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005474, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 October 28, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/10\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005500, CH042<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 10th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/10 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015446, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 14th, Hollywood [to] Guy Croswell Smith\/Alfred Reeves<\/h2>\n\n \n \n 1933\/03\/14 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015452, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 15th [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n \n 1933\/03\/15 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015458, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 28th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015468, CH045<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 April 3rd, Nice [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n
1<\/p>\n <\/div>\n <\/div>\n
Letter<\/p>\n <\/div>\n
ECCI00005473, CH041<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Letter] 1932 August 22nd, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/08\/22 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005474, CH041<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1932 October 28, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/10\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005500, CH042<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 10th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/10 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015446, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 14th, Hollywood [to] Guy Croswell Smith\/Alfred Reeves<\/h2>\n\n \n \n 1933\/03\/14 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015452, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 15th [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n \n 1933\/03\/15 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015458, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 28th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015468, CH045<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 April 3rd, Nice [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n
1<\/p>\n <\/div>\n <\/div>\n
Letter<\/p>\n <\/div>\n
City Lights<\/p>\n <\/div>\n
ECCI00005474, CH041<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Letter] 1932 October 28, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1932\/10\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00005500, CH042<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t2<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 10th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/10 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015446, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 14th, Hollywood [to] Guy Croswell Smith\/Alfred Reeves<\/h2>\n\n \n \n 1933\/03\/14 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015452, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 15th [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n \n 1933\/03\/15 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015458, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 28th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015468, CH045<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 April 3rd, Nice [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n
1<\/p>\n <\/div>\n <\/div>\n
Letter<\/p>\n <\/div>\n
ECCI00005500, CH042<\/p>\n <\/div>\n
Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Letter] 1933 March 10th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/10 <\/div>\n \n 2<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015446, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 14th, Hollywood [to] Guy Croswell Smith\/Alfred Reeves<\/h2>\n\n \n \n 1933\/03\/14 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015452, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 15th [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n \n 1933\/03\/15 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015458, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 28th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015468, CH045<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 April 3rd, Nice [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n
2<\/p>\n <\/div>\n <\/div>\n
Letter<\/p>\n <\/div>\n
ECCI00015446, CH044<\/p>\n <\/div>\n
Private life<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Letter] 1933 March 14th, Hollywood [to] Guy Croswell Smith\/Alfred Reeves<\/h2>\n\n \n \n 1933\/03\/14 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n City Lights<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015452, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 15th [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n \n 1933\/03\/15 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015458, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 28th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015468, CH045<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 April 3rd, Nice [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n
1<\/p>\n <\/div>\n <\/div>\n
Letter<\/p>\n <\/div>\n
City Lights<\/p>\n <\/div>\n
ECCI00015452, CH044<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Letter] 1933 March 15th [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n \n 1933\/03\/15 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015458, CH044<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 March 28th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015468, CH045<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 April 3rd, Nice [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n
1<\/p>\n <\/div>\n <\/div>\n
Letter<\/p>\n <\/div>\n
ECCI00015458, CH044<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Letter] 1933 March 28th, Paris [to] Sydney Chaplin\/Guy Croswell Smith<\/h2>\n\n \n \n 1933\/03\/28 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00015468, CH045<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1933 April 3rd, Nice [to] Guy Smith\/[Sydney Chaplin]<\/h2>\n\n \n
1<\/p>\n <\/div>\n <\/div>\n
Letter<\/p>\n <\/div>\n
ECCI00015468, CH045<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t