![\"ch04074a001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch04074a001.jpg\")
\n\t\t\t\t\t[Letter] 1943 March 17th, New York [to] Paul D. O'Brien\/M. P. Rivera<\/h2>\n\n \n \n 1943\/03\/17 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00006140, CH040<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\t\t\t\t![\"ch04074001.jpg\"](\"https:\/\/chaplin.qi-cms.com\/media\/w500\/watermarked\/ch04074001.jpg\")
\n\t\t\t\t\t1<\/div>\n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1943 March 24th, New York [to] Alfred Reeves\/Paul<\/h2>\n\n \n \n 1943\/03\/24 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00006139, CH040<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n ![](\"http:\/\/www.charliechaplinarchive.org\/skins\/chaplin\/assets\/images\/placeholder-240.png\")
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] Feb. 13, 1936 [to] Alfred Reeves\/Paul D. O'Brien<\/h2>\n\n \n \n 1936\/02\/13 <\/div>\n \n 0<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00315260<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] Feb. 19, 1936 [to] Charles Chaplin Productions attention of Miss Catherine Hunter\/Paul D. O'Brien<\/h2>\n\n \n \n 1936\/02\/19 <\/div>\n \n 0<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00315258<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1936 July 27, [Hollywood to] Paul O'Brien\/A.R. [Alfred Reeves]<\/h2>\n\n \n \n 1936\/07\/27 <\/div>\n \n 0<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00315297<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \t[Telegram] 1937 Nov 30, New York [to] LLoyd Wright\/Paul O'Brien<\/h2>\n\n \n \n 1937\/11\/30 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Telegram<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00315832, CH027<\/p>\n <\/div>\n
\n Series<\/span>\n Violation of copyright<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \t[Telegram] 1938 Jan 15, New York [to] John B. Milliken [sic]\/Paul O'Brien<\/h2>\n\n \n \n 1938\/01\/15 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Telegram<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00315813, CH027<\/p>\n <\/div>\n
\n Series<\/span>\n Violation of copyright<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \t[Telegram] 1938 Feb 7, New York [to] John B. Milliken [sic]\/Paul O'Brien<\/h2>\n\n \n \n 1938\/02\/07 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Telegram<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00315812, CH027<\/p>\n <\/div>\n
\n Series<\/span>\n Violation of copyright<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \t[Telegram] 1938 Mar 15, New York [to] Charles E. Millikan\/Paul O'Brien<\/h2>\n\n \n \n 1938\/03\/15 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Telegram<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00315805, CH027<\/p>\n <\/div>\n
\n Series<\/span>\n Violation of copyright<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \t[Correspondence re Charles De Haven case]<\/h2>\n\n \n \n 1941\/01\/13-1944\/02\/04 <\/div>\n \n 33<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Great Dictator<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCIN0000180, CH235<\/p>\n <\/div>\n
\n Series<\/span>\n Legal Miscellaneous <\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n
1<\/p>\n <\/div>\n <\/div>\n
Letter<\/p>\n <\/div>\n
The Gold Rush<\/p>\n <\/div>\n
ECCI00006140, CH040<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\t\t\t[Letter] 1943 March 24th, New York [to] Alfred Reeves\/Paul<\/h2>\n\n \n \n 1943\/03\/24 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Gold Rush<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00006139, CH040<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] Feb. 13, 1936 [to] Alfred Reeves\/Paul D. O'Brien<\/h2>\n\n \n \n 1936\/02\/13 <\/div>\n \n 0<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00315260<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] Feb. 19, 1936 [to] Charles Chaplin Productions attention of Miss Catherine Hunter\/Paul D. O'Brien<\/h2>\n\n \n \n 1936\/02\/19 <\/div>\n \n 0<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00315258<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \t[Letter] 1936 July 27, [Hollywood to] Paul O'Brien\/A.R. [Alfred Reeves]<\/h2>\n\n \n \n 1936\/07\/27 <\/div>\n \n 0<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00315297<\/p>\n <\/div>\n
\n Series<\/span>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \t[Telegram] 1937 Nov 30, New York [to] LLoyd Wright\/Paul O'Brien<\/h2>\n\n \n \n 1937\/11\/30 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Telegram<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00315832, CH027<\/p>\n <\/div>\n
\n Series<\/span>\n Violation of copyright<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \t[Telegram] 1938 Jan 15, New York [to] John B. Milliken [sic]\/Paul O'Brien<\/h2>\n\n \n \n 1938\/01\/15 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Telegram<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00315813, CH027<\/p>\n <\/div>\n
\n Series<\/span>\n Violation of copyright<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \t[Telegram] 1938 Feb 7, New York [to] John B. Milliken [sic]\/Paul O'Brien<\/h2>\n\n \n \n 1938\/02\/07 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Telegram<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00315812, CH027<\/p>\n <\/div>\n
\n Series<\/span>\n Violation of copyright<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \t[Telegram] 1938 Mar 15, New York [to] Charles E. Millikan\/Paul O'Brien<\/h2>\n\n \n \n 1938\/03\/15 <\/div>\n \n 1<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Telegram<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n Modern Times<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCI00315805, CH027<\/p>\n <\/div>\n
\n Series<\/span>\n Violation of copyright<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n Content reserved<\/p>\n \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n \n \t[Correspondence re Charles De Haven case]<\/h2>\n\n \n \n 1941\/01\/13-1944\/02\/04 <\/div>\n \n 33<\/p>\n <\/div>\n <\/div>\n
\n \n \n Type<\/span>\n Letter<\/p>\n <\/div>\n
\n Film\/Project<\/span>\n The Great Dictator<\/p>\n <\/div>\n
\n Record number<\/span>\n ECCIN0000180, CH235<\/p>\n <\/div>\n
\n Series<\/span>\n Legal Miscellaneous <\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
\n\t\t\n\t\t\t\n \t\n\t\t\t\t\t \n
1<\/p>\n <\/div>\n <\/div>\n
Letter<\/p>\n <\/div>\n
The Gold Rush<\/p>\n <\/div>\n
ECCI00006139, CH040<\/p>\n <\/div>\n
Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t
Content reserved<\/p>\n 0<\/p>\n <\/div>\n <\/div>\n Letter<\/p>\n <\/div>\n Modern Times<\/p>\n <\/div>\n ECCI00315260<\/p>\n <\/div>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 0<\/p>\n <\/div>\n <\/div>\n Letter<\/p>\n <\/div>\n Modern Times<\/p>\n <\/div>\n ECCI00315258<\/p>\n <\/div>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 0<\/p>\n <\/div>\n <\/div>\n Letter<\/p>\n <\/div>\n Modern Times<\/p>\n <\/div>\n ECCI00315297<\/p>\n <\/div>\n Distribution and promotion<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 1<\/p>\n <\/div>\n <\/div>\n Telegram<\/p>\n <\/div>\n Modern Times<\/p>\n <\/div>\n ECCI00315832, CH027<\/p>\n <\/div>\n Violation of copyright<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 1<\/p>\n <\/div>\n <\/div>\n Telegram<\/p>\n <\/div>\n Modern Times<\/p>\n <\/div>\n ECCI00315813, CH027<\/p>\n <\/div>\n Violation of copyright<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 1<\/p>\n <\/div>\n <\/div>\n Telegram<\/p>\n <\/div>\n Modern Times<\/p>\n <\/div>\n ECCI00315812, CH027<\/p>\n <\/div>\n Violation of copyright<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 1<\/p>\n <\/div>\n <\/div>\n Telegram<\/p>\n <\/div>\n Modern Times<\/p>\n <\/div>\n ECCI00315805, CH027<\/p>\n <\/div>\n Violation of copyright<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t Content reserved<\/p>\n 33<\/p>\n <\/div>\n <\/div>\n Letter<\/p>\n <\/div>\n The Great Dictator<\/p>\n <\/div>\n ECCIN0000180, CH235<\/p>\n <\/div>\n Legal Miscellaneous <\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t \n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n [Letter] Feb. 13, 1936 [to] Alfred Reeves\/Paul D. O'Brien<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n [Letter] Feb. 19, 1936 [to] Charles Chaplin Productions attention of Miss Catherine Hunter\/Paul D. O'Brien<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n [Letter] 1936 July 27, [Hollywood to] Paul O'Brien\/A.R. [Alfred Reeves]<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n [Telegram] 1937 Nov 30, New York [to] LLoyd Wright\/Paul O'Brien<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n [Telegram] 1938 Jan 15, New York [to] John B. Milliken [sic]\/Paul O'Brien<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n [Telegram] 1938 Feb 7, New York [to] John B. Milliken [sic]\/Paul O'Brien<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n [Telegram] 1938 Mar 15, New York [to] Charles E. Millikan\/Paul O'Brien<\/h2>\n\n
\n <\/div> \n\t\t\t\t <\/div>\n <\/a>\n [Correspondence re Charles De Haven case]<\/h2>\n\n